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Manuale di Audio Mixing Digitale: Missaggio Professionale per Home Studio
Paperback
General ReferenceMusic Recording & Reproduction
Publisher: Independently Published
Published: Sep 20 2022
Pages: 592
Weight: 2.98
Height: 1.20 Width: 8.50 Depth: 11.00
Language: Italian
Il Manuale di Audio Mixing Digitale
E' finalizzato soprattutto all'apprendimento generale dei principi del mix, ma sarà anche utilizzabile come guida pratica da consultare durante il mixing.
__________
Comprende:
- n. 590 pagine totali (Formato circa A4: cm. 21.59 x 27.94 - Font: Avenir Book 11 - Interlinea: 1)
- n. 10 pagine di indice articolato su 4 livelli, per trovare ogni argomento rapidamente
- n. 247 immagini
- n. 4 sezioni articolate in n. 40 capitoli in totale
________________________
- la prima è finalizzata alla acquisizione di una sommaria ma sufficiente cultura del fonico riguardo a: finalità e criteri generali del mix, suono, attrezzature, criteri di ascolto;
- la seconda è tecnicamente la più importante, è dedicata alla descrizione dell'intero iter operativo da seguire durante il mix, con la descrizione dei criteri e delle operazioni di processing tonale, dinamico e ambientale sino alla finalizzazione del mix che precede il mastering;
- la terza tratta delle operazioni specifiche di messa a punto delle varie sorgenti sonore (strumenti e voci), soffermandosi soprattutto su quelle più complesse, delicate e ricorrenti);
- la quarta è un elenco di piccoli Trucchi e Consigli, in parte elaborati dall'autore e in parte pescati dal repertorio di comune dominio dei sound engineers e di alcune mix-star.
INDICE DEI CAPITOLI
Parte A *** INTRODUZIONE AL MIXINGBREVE STORIA DEL MIXING
CRITERI DI APPROCCIO AL MIX
ANALOGICO E DIGITALE
RUDIMENTI DI ACUSTICA
ASCOLTO DI RIFERIMENTO
UN MIX TRIDIMENSIONALE Parte B *** OPERATIVITA' NEL MIX
ORGANIZZARE LA SESSIONE
LA COERENZA DI FASE
SEQUENZA OPERATIVA NEL MIX
ASCOLTO E LIVELLAMENTO TRACCE
GAIN STAGING NEL MIX
LEVELING E EDITING PRELIMINARE
ALLINEAMENTO TRANSIENTI E FASATURA
CONTROLLO TONALE
EQUALIZZAZIONE PRELIMINARE
IL MIX ESSENZIALE
IL MIX COMPLETO
CONTROLLO DINAMICO
ARRICCHIMENTO ARMONICO
PROCESSI DI AMBIENTAZIONE
ALTRI PROCESSI E PROCESSORI
LA DIMENSIONI SPAZIALI NEL MIX
RIFINITURE CONCLUSIVE
VERSIONI DIFFERENTI DEL MIX
ESPORTAZIONE DEL MIX Parte C *** TRATTAMENTO DEGLI ELEMENTI DEL MIX
VOCE SOLISTA
BASSO E CONTRABBASSO
BATTERIA
PIANOFORTE
CHITARRE
SEZIONI ORCHESTRALI Parte D *** SUGGERIMENTI IN PILLOLE
ARRANGIAMENTO MUSICALE
COMPRESSIONE
FASI E TRANSIENTI
EFFETTI AMBIENTALI
ENHANCING
EQUALIZZAZIONE
MISSAGGIO
MONITORING
PILLOLE CONCETTUALI DAI GRANDI ESPERTI Prefazione
L'insegnante Zen chiedeva agli aspiranti pittori di studiare per dieci anni esercitandosi per molte ore al giorno
Suggeriva poi di dimenticare tutto, smettendo di esercitarsi per mesi
Dopodiché esortava l'allievo a dipingere veramente, seguendo soltanto l'intuito, in quanto la capacità tecnica sarebbe emersa naturalmente, ma senza dominare la scena
In tal senso, la medesima esortazione può essere formulata per l'arte del missaggio, suggerendo quanto segue:
Non seguire nessuna regola, ma prima conoscile tutte
Sono certo che ogni fonico esperto troverà condivisibile questa affermazione L'AutoreIntroduzione
Per mixare bene occorre conoscere a fondo tutte le caratteristiche e le insidie del suono, sino a sviluppare una sapienza intuitiva che, purtroppo, nessun manuale come questo potrà mai insegnare direttamente, tuttavia esso intende fornire un semplice aiuto per orientarsi nel mondo del suono, chiarendone i principi e sollecitando l'allievo alla ricerca.
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