Literary Nonfiction. THE WAR REQUIEM blends memoir, research, and historical fiction in order to explore Benjamin Britten's dynamic piece of choral and orchestral music, War Requiem, Op. 66. Written to commemorate the new Coventry Cathedral's consecration (following World War II bombing), Britten's composition blends the Latin Mass for the Dead with nine poems by Wilfred Owen. Just as Britten's piece pulls together many threads and subjects, this book braids three separate stories of Britten, Owen, and the author, to better understand the process of art-making and the lasting effects of both art and war.

Minneapolis is Minneapolis is because of the water--because of the Mississippi River, and St. Anthony Falls, and the beautiful lakes that dot the city's neighborhoods. Energized by the power of a magnificent waterfall that was harnessed with stolen technology, it became a major, even global, city. In this succinct and thought-provoking book, Tom Weber provides an urban biography of the City of Lakes. The confluence of the Mississippi and the Minnesota River is a sacred place for Dakota people, who have lived here for millennia. Since the city's beginnings in the 1850s, Minneapolis has experienced continual collapses and rebuilding. Some collapses were real, as when the Falls were nearly destroyed; some are metaphorical, as when corruption and the mob threatened to overtake the life of the city. Weber also explores the effects of the rebuilding and who was in charge: who was left in, and who was left out. Cities, like people, are always changing, and the history of that change is the city's biography. This book illuminates the unique character of Minneapolis, weaving in the hidden stories of place, politics, and identity that continue to shape its residents' lives.

The National Book Award winning history of how racist ideas were created, spread, and deeply rooted in American society. Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America -- it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-black racist ideas and their staggering power over the course of American history. He uses the life stories of five major American intellectuals to drive this history: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and legendary activist Angela Davis. As Kendi shows, racist ideas did not arise from ignorance or hatred. They were created to justify and rationalize deeply entrenched discriminatory policies and the nation's racial inequities. In shedding light on this history, Stamped from the Beginning offers us the tools we need to expose racist thinking. In the process, he gives us reason to hope.

This New York Times best-selling book is a guide for families, educators, and communities to raise their children to be able and active anti-racist allies. With a foreword by Tim Wise, Raising White Kids is for families, churches, educators, and communities who want to equip their children to be active and able participants in a society that is becoming one of the most racially diverse in the world while remaining full of racial tensions. For white people who are committed to equity and justice, living in a nation that remains racially unjust and deeply segregated creates unique conundrums. These conundrums begin early in life and impact the racial development of white children in powerful ways. What can we do within our homes, communities and schools? Should we teach our children to be "colorblind"? Or, should we teach them to notice race? What roles do we want to equip them to play in addressing racism when they encounter it? What strategies will help our children learn to function well in a diverse nation? Talking about race means naming the reality of white privilege and hierarchy. How do we talk about race honestly, then, without making our children feel bad about being white? Most importantly, how do we do any of this in age-appropriate ways? While a great deal of public discussion exists in regard to the impact of race and racism on children of color, meaningful dialogue about and resources for understanding the impact of race on white children are woefully absent. Raising White Kidssteps into that void. "Most white Americans didn't get from our own families the concrete teaching and modeling we needed to be active in the work of racial justice ourselves, let alone to feel equipped now to talk about race with and teach anti-racism to our children. There is so much we need to learn and it's urgent that we do so. But the good news is: we can," says Jennifer Harvey.

In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNext celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.