Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Body, Subject & Subjected: The Representation of the Body Itself, Illness, Injury, Treatment and Death in Spain and Indigenous and Hispanic American A

Body, Subject & Subjected: The Representation of the Body Itself, Illness, Injury, Treatment and Death in Spain and Indigenous and Hispanic American A

Andrist, Debra D.

Hardcover

Medical ReferenceAnatomy & PhysiologyGeneral Art

ISBN10: 1845197402
ISBN13: 9781845197407
Publisher: Liverpool University Press
Published: Jan 1 2016
Pages: 256
Weight: 1.20
Height: 0.80 Width: 6.00 Depth: 9.00
Language: English
Hominids have always been obsessed with representing their own bodies. The first selfies were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term selfie was self-generated. The book illuminates some selfies. This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures -- the Iberian Peninsula to pre-Columbian America and Hispanic America -- analysing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behaviour and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when selfies are examined through a focused lens over a breadth of cultures. The result, complex and unique, is that what is viewed -- the visual art and literature under discussion -- becomes a mirror image, indistinguishable from the component viewing apparatus, the lens.

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