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Funk the Erotic: Transaesthetics and Black Sexual Cultures

Funk the Erotic: Transaesthetics and Black Sexual Cultures

Paperback

Series: New Black Studies

Black American StudiesGeneral Gender StudiesSexuality

Currently unavailable to order

ISBN10: 0252081102
ISBN13: 9780252081101
Publisher: University of Illinois Press
Published: Aug 7 2015
Pages: 296
Weight: 1.10
Height: 0.90 Width: 6.10 Depth: 9.10
Language: English
Funk. It is multisensory and multidimensional philosophy used in conjunction with the erotic, eroticism, and black erotica. It is the affect that shapes film, performance, sound, food, technology, drugs, energy, time, and the seeds of revolutionary ideas for black movements. But funk is also an experience to feel, to hear, to touch and taste, and in Funk the Erotic, L. H. Stallings uses funk in all its iterations as an innovation in black studies.

Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking the truth of sex and its histories. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization.

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