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Dictators, Democracy, and American Public Culture: Envisioning the Totalitarian Enemy, 1920s-1950s

Dictators, Democracy, and American Public Culture: Envisioning the Totalitarian Enemy, 1920s-1950s

Paperback

Series: Cultural Studies of the United States

20th Century United States HistoryGeneral Political ScienceGeneral Sociology

ISBN10: 0807854166
ISBN13: 9780807854167
Publisher: University of North Carolina Press
Published: Jan 20 2003
Pages: 416
Weight: 1.31
Height: 0.96 Width: 6.24 Depth: 9.44
Language: English
Focusing on portrayals of Mussolini's Italy, Hitler's Germany, and Stalin's Russia in U.S. films, magazine and newspaper articles, books, plays, speeches, and other texts, Benjamin Alpers traces changing American understandings of dictatorship from the late 1920s through the early years of the Cold War.

During the early 1930s, most Americans' conception of dictatorship focused on the dictator. Whether viewed as heroic or horrific, the dictator was represented as a figure of great, masculine power and effectiveness. As the Great Depression gripped the United States, a few people -- including conservative members of the press and some Hollywood filmmakers -- even dared to suggest that dictatorship might be the answer to America's social problems.

In the late 1930s, American explanations of dictatorship shifted focus from individual leaders to the movements that empowered them. Totalitarianism became the image against which a view of democracy emphasizing tolerance and pluralism and disparaging mass movements developed. First used to describe dictatorships of both right and left, the term totalitarianism fell out of use upon the U.S. entry into World War II. With the war's end and the collapse of the U.S.-Soviet alliance, however, concerns about totalitarianism lay the foundation for the emerging Cold War.

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20th Century United States History