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Brilliant Sounding Rubbish (Large Print Edition)
Paperback
MusiciansMusic Instruction: GeneralMusic Business
Publisher Price: $17.99
ISBN13: 9781068418600
Publisher: Pageturna.com
Published: Aug 8 2025
Pages: 234
Weight: 0.94
Height: 0.64 Width: 6.00 Depth: 9.00
Language: English
A sharp, thoughtful and ultimately hopeful look at the past, present and future of the music industry - from one of the people who helped shape it.
In Brilliant Sounding Rubbish, Kev Nixon - musician, songwriter, producer, artist manager, music educator and writer - charts the unprecedented fall of British music's global dominance with unflinching honesty, deep affection, and biting wit.
Drawing on five decades in the business, Nixon reveals how the UK's once world-leading musical culture has suffered from an obsession with technology, addiction to nostalgia, and as a consequence, has become increasingly disconnected from artistic substance.
What began as a phrase he coined while observing music students making overly-polished recordings using GarageBand, Nixon evolved brilliant sounding rubbish into a damning metaphor for an entire industry. Part memoir, part manifesto, and part behind-the-scenes exposé, the book journeys from Nixon's childhood musical awakenings in 1960s Yorkshire to the chaos of modern streaming culture, tracing the roots of the crisis in everything from the collapse of artist development, to the rise of corporate ownership, and the devaluation of true music education.
Nixon expertly details class prejudice in genre and music industry hierarchies, the myth of the self-made artist, and the digital structures that now control what the world hears - and also what it doesn't. But this is not simply a story of decline. Through personal stories, case studies and bold provocations, Brilliant Sounding Rubbish offers a clear-eyed vision for rebuilding an industry with heart, integrity, and risk at its core, while returning to the musical standards that put British music up there into world domination in the first place.
Nixon believes there's still time to turn things around. If we bring back risk, nurture real talent, and cease allowing technology to dominate creativity, the music business might just get its soul back. The future, he says, could have brilliant sounding substance - this time for all the right reasons.Also from
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