Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Art and Authorship in the AI Spring: A Media-Philosophical Approach

Art and Authorship in the AI Spring: A Media-Philosophical Approach

McIntyre, Andrew

Hardcover

Art Criticism & TheoryGeneral ComputersGeneral Sociology

ISBN10: 3032185734
ISBN13: 9783032185730
Publisher: Palgrave MacMillan
Published: May 15 2026
Pages: 203
Weight: 0.82
Height: 0.68 Width: 6.26 Depth: 8.28
Language: English

Following the release of ChatGPT, public fascination with the field of artificial intelligence (AI) has drastically intensified, stimulating an unprecedented rise in the financing, development and deployment of AI technologies across society. However, the current hype around AI also presents uncomfortable questions about the role of human agency in culture, particularly in practices of art and communications where the arrival of convincing AI-generated media has raised the prospect that human authors and artists may be sidelined or replaced. Art and Authorship in the AI Spring takes a step back from the modern situation to, instead, focus on the decade preceding the release of ChatGPT when our current understanding of AI was only beginning to take form. During this brief period of rapid technological development, many artists were already experimenting with emerging AI technologies as a means of probing traditional notions of authorship from the production of AI-generated paintings, poetry and films to more experimental practices utilizing deepfake techniques, biometric recognition systems and large language models. By critically analysing various instances of AI-generated art and media during this period, Art and Authorship in the AI Spring explores this central question of authorship through the unique and often overlooked media philosophy of Vilém Flusser that looks beyond aesthetics to instead consider the technical conditions of AI technology itself. In reconsidering this recent history of AI-generated media from this perspective, this book aims to shed new light on significant ongoing debates around the societal impacts of AI technologies today.

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