Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Wait, Later This Will Be Nothing: Editions by Dieter Roth

Wait, Later This Will Be Nothing: Editions by Dieter Roth

Roth, Dieter
Campbell, Brenna
Suzuki, Sarah

Paperback

Individual Artists

Currently unavailable to order

ISBN10: 0870708503
ISBN13: 9780870708503
Publisher: Museum Of Modern Art Ny
Published: Feb 28 2013
Pages: 96
Weight: 0.95
Height: 0.40 Width: 8.00 Depth: 9.90
Language: English
Dieter Roth's wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works--books, prints and multiples--that he made his most important and radical contributions. These experiments include literature sausages filled with ground-up books, newspapers or magazines in place of meat; the use of organic materials like pudding or fruit juice in lieu of printing inks; multiples of plastic toys mired in chocolate; and a dazzling array of variations on printed postcards. Taken together, these works offer an utterly radicalized view of mediums that are historically considered staid and traditional, while giving insight into one of the artistic titans of the twentieth century. Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth's most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of Snow (1964-1969), a complex book-sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.

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