Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Whole World of Music: A Henry Cowell Symposium

Whole World of Music: A Henry Cowell Symposium

Nicholls, David

Hardcover

Series: Contemporary Music Studies

ArtistsGeneral DramaGeneral Music

ISBN10: 9057550032
ISBN13: 9789057550034
Publisher: Routledge
Published: Jun 23 1998
Pages: 260
Weight: 1.20
Height: 0.63 Width: 6.14 Depth: 9.21
Language: English
It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the open sesame for new music in America. Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's adventurous promotion of automobile junkyards for the finding of new sounds. In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927, wrote the influential book Ne In this major book of articles

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