Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Unlearning with Translation: A Critical and Collective Practice

Unlearning with Translation: A Critical and Collective Practice

Bobin, Virginie
Ancira, Andrea

Paperback

Series: Scratching the Surface

Art Criticism & TheoryWriting InstructionGeneral Education

Publisher Price: $15.95

ISBN10: 1915609836
ISBN13: 9781915609830
Publisher: Sternberg Press
Published: Mar 31 2026
Pages: 152
Weight: 0.21
Height: 0.45 Width: 5.35 Depth: 6.29
Language: English
The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Based on practical experiments, Unlearning with Translation posits the act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times. Written by French curator, writer, editor, and self-taught translatress Virginie Bobin, the essay revisits a series of workshops, exhibitions, and other collective activities that took translation as both subject and method to unsettle entrenched conceptions of language, identity, and belonging. In particular, the ambiguous notion of untranslatability is used as a lens through which to examine the power relations at play in those institutional, economic, and political contexts inhabited by art workers. Alongside collaborations with artists including Mercedes Azpilicueta, Serena Lee, and Mounira Al Solh, Bobin's reflections are grounded in her experience co-founding and facilitating the editorial and curatorial platform Qalqalah قلقلة, which relies on translation as a tool for the production and publication of situated knowledge in three languages--French, Arabic, and English. Informed by feminist genealogies and methodologies throughout, the book maintains that collective labor and relations are key aspects of any critical practice, as exemplified in the concluding correspondence with Andrea Ancira.

Also in

Art Criticism & Theory

View All