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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Theodor W. Adorno: An Introduction

Theodor W. Adorno: An Introduction

Rolleston, James
Schweppenhäuser, Gerhard

Paperback

Series: Post-Contemporary Interventions

PhilosophyGeneral Sociology

ISBN10: 0822344718
ISBN13: 9780822344711
Publisher: Duke University Press
Published: Apr 6 2009
Pages: 200
Weight: 0.70
Height: 0.70 Width: 5.90 Depth: 8.40
Language: English
Theodor W. Adorno (1903-1969) was one of the twentieth century's most important thinkers. In light of two pivotal developments--the rise of fascism, which culminated in the Holocaust, and the standardization of popular culture as a commodity indispensable to contemporary capitalism--Adorno sought to evaluate and synthesize the essential insights of Western philosophy by revisiting the ethical and sociological arguments of his predecessors: Kant, Nietzsche, Hegel, and Marx. This book, first published in Germany in 1996, provides a succinct introduction to Adorno's challenging and far-reaching thought. Gerhard Schweppenhäuser, a leading authority on the Frankfurt School of critical theory, explains Adorno's epistemology, social and political philosophy, aesthetics, and theory of culture.

After providing a brief overview of Adorno's life, Schweppenhäuser turns to the theorist's core philosophical concepts, including post-Kantian critique, determinate negation, and the primacy of the object, as well as his view of the Enlightenment as a code for world domination, his diagnosis of modern mass culture as a program of social control, and his understanding of modernist aesthetics as a challenge to conceive an alternative politics. Along the way, Schweppenhäuser illuminates the works widely considered Adorno's most important achievements: Minima Moralia, Dialectic of Enlightenment (co-authored with Horkheimer), and Negative Dialectics. Adorno wrote much of the first two of these during his years in California (1938-49), where he lived near Arnold Schoenberg and Thomas Mann, whom he assisted with the musical aesthetics at the center of Mann's novel Doctor Faustus.

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