Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany

Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany

Stefaniak, Alexander

Hardcover

General MusicMusic Reference

ISBN10: 0253021995
ISBN13: 9780253021991
Publisher: Indiana University Press (Ips)
Published: Sep 1 2016
Pages: 304
Weight: 1.20
Height: 0.80 Width: 6.30 Depth: 9.40
Language: English

Considered one of the greatest composers--and music critics--of the Romantic era, Robert Schumann (1810-1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western art music well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.

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