Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Puccini's Women

Puccini's Women

Cheng, Ya-Hui

Paperback

General Music

ISBN10: 3639129407
ISBN13: 9783639129403
Publisher: Blues Kids Of Amer
Published: Mar 24 2009
Pages: 252
Weight: 0.82
Height: 0.57 Width: 6.00 Depth: 9.00
Language: English
This book explores the postmodernist aspects of Puccini's operas and focuses on his female protagonists-Mimì, Musetta, Tosca, Butterfly, Turandot and Liù. Combining a Schenkerian analysis with dualism, I present their complementary dialogue in my analysis. Mimì focuses on the subdominant to present her futile attempts to escape from death. The subdominant in Musetta displays her attractiveness. Tosca concentrates on the submediant that presents the boundary of her world. Floria Tosca can do no harm to anyone. Yet, the diva will act out through the device of deceptive motion killing Scarpia. Butterfly is both an insider and outsider in her life. The Japanese Ying and Yang system portrays that she can never abandon her inherent Japanese identity. Turandot explores Western tonality as it is interwoven with the Chinese pentatonic system and demonstrates how Turnadot is possessed by Lo-u-Ling. Liù's sacrifice is prefigured through pseudo-pentatonic writing. The book concludes with an examination of Puccini's overall harmonic evolution, showing how weakened hierarchic relationships in the music of these six female characters allows exotic borrowings to be subsumed in a tonal framework.

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