Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Mosaics of Faith: Floors of Pagans, Jews, Samaritans, Christians, and Muslims in the Holy Land

Mosaics of Faith: Floors of Pagans, Jews, Samaritans, Christians, and Muslims in the Holy Land

Talgam, Rina

Hardcover

Art HistoryPottery & Ceramics

ISBN10: 0271060840
ISBN13: 9780271060842
Publisher: Penn State University Press
Published: Aug 25 2014
Pages: 600
Weight: 5.55
Height: 1.60 Width: 9.30 Depth: 11.30
Language: English

This monumental work provides a comprehensive analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasid mosaics in the Holy Land, spanning the second century b.c.e. to the eighth century c.e. Previous general studies of the Holy Land mosaics have focused on specific collections; in Mosaics of Faith, Rina Talgam sets out to demonstrate how mosaic art constructed cultural, religious, and ethnic identities in eras that shaped the visual expressions of three monotheistic religions. Her examination of the mosaics in a pivotal area of the eastern Mediterranean sharpens and refines our understanding of the region's societies and their ideologies, institutions, and liturgies. Covering almost one thousand years of mosaic production, Mosaics of Faith offers an unprecedented view of the evolution of floor decorations from the Hellenistic to the Roman periods, in the transition from Roman to Early Byzantine art, and in the persistence of Byzantine traditions under Umayyad rule. More than other corpora of ancient mosaics, those from the Holy Land have generated greater awareness of the intricate visual exchanges between paganism, Judaism, Samaritanism, Christianity, and Islam. Talgam examines the mosaics' formal qualities in conjunction with the religious and cultural contexts within which they were produced and with which they had a profound, multidimensional dialogue.

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