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The Monuments of Christian Rome From Constantine to the Renaissance
Hardcover
European ArtGeneral ArchitectureItalian History
ISBN13: 9781025849850
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 428
Weight: 1.70
Height: 0.94 Width: 6.14 Depth: 9.21
Language: English
The Monuments of Christian Rome From Constantine to the Renaissance offers a comprehensive survey of the architectural and artistic evolution of the Eternal City during its Christian era. Arthur Lincoln Frothingham provides a detailed exploration of Rome's transformation from the reign of Constantine through the height of the Renaissance, tracing the development of basilicas, catacombs, and monuments that defined Western Christendom.
The work serves as both a history of the city's physical structures and an analysis of the cultural and religious shifts that shaped them. Readers will discover the intricate connection between Rome's political history and its aesthetic legacy, from the early Christian period through the Middle Ages and into the artistic rebirth of the fifteenth and sixteenth centuries. By examining the city's topography and its most significant ecclesiastical buildings, Frothingham highlights the enduring influence of Roman craftsmanship and religious devotion. This scholarly yet accessible study remains an essential resource for those interested in art history, archaeology, and the profound legacy of Rome as the historical center of the Christian world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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