Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Mode of Presence of the Work of Art

The Mode of Presence of the Work of Art

Tirvaudey, Robert

Paperback

Philosophy

ISBN10: 6630289056
ISBN13: 9786630289053
Publisher: LAP Lambert Academic Publishing
Published: Aug 19 2026
Pages: 260
Weight: 0.78
Height: 0.59 Width: 6.00 Depth: 9.00
Language: English
This study reconstructs Husserl's implicit aesthetics through a systematic analysis of image consciousness (Bildbewusstsein) in order to answer a central phenomenological question: if the artwork is neither a simply perceived object nor a purely imaginary fiction, what mode of presence does it inaugurate in consciousness? Drawing primarily on Phantasy, Image Consciousness, and Memory, together with Ideas I, Logical Investigations, and Cartesian Meditations, the study argues that the artwork is constituted through a distinctive mode of givenness irreducible to perception, imagination, or representation alone. Husserl's theory of the Bildding, Bildobjekt, and Bildsujet provides the conceptual framework for understanding aesthetic experience as a paradoxical presence in which absence becomes a condition of manifestation. The essay further examines the developments of this insight in Ingarden, Heidegger, and Merleau-Ponty, while demonstrating the originality of Husserl's position. It concludes that the artwork is best understood as a phenomenological event of presence that discloses a unique horizon of meaning and renews the philosophical understanding of aesthetic experience.

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