Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe

Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe

Ambrose, Kirk

Hardcover

Series: Boydell Studies in Medieval Art and Architecture, Book 5

European ArtSculpture & Installation

ISBN10: 1843838311
ISBN13: 9781843838319
Publisher: Boydell Press
Published: Aug 21 2013
Pages: 202
Weight: 1.45
Height: 0.60 Width: 6.80 Depth: 9.80
Language: English
Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings.

Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the green man, widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a dark age. This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination.

KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.

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