Sign-In
Cart
Land Art in the U.K.: A Complete Guide to Landscape, Environmental, Earthworks, Nature, Sculpture and Installation Art in the UK
Paperback
Series: Sculptors
Art HistoryArt & Popular CultureSculpture & Installation
ISBN13: 9781861710901
Publisher: Crescent Moon Publishing
Published: Jul 21 2007
Pages: 380
Weight: 1.17
Height: 0.78 Width: 6.14 Depth: 9.21
Language: English
LAND ART IN THE U.K.
A new book on land art in Great Britain. There are chapters on land artists such as Chris Drury, Hamish Fulton, David Nash, Richard Long and Andy Goldsworthy. All of the major practitioners of land and environmental art in the U.K. are discussed.
EXTRACT FROM THE CHAPTER ON ANDY GOLDSWORTHY
One wonders whether Andy Goldsworthy would like to work in snow and ice more than in any other medium. In temperate snowlands one feels Goldsworthy is very much at home. Snow has all the right sorts of qualities Goldsworthy looks for in a material: it is malleable, it melts and changes, its whiteness makes for good, contrasty imagery photographically, and it seasonally alters the landscape, and later dissolves into it.
In Goldsworthy's snowworks one senses also the sheer fun working with snow. For people in most of Britain, snow is not a occurrence each year, as it is in, say, Northern Russia or Alaska. Snow can be an exciting event (but British adults usually gripe it). Snow was a perennial delight and 'shock' for Goldsworthy. In Midsummer Snowballs he wrote that '[e]ven in winter each snowfall is a shock, unpredictable and unexpected.'
Goldsworthy retained the child-like enjoyment of snow falling in Britain throughout his life. While much of the U.K. grinds to a halt at the sight of a snowflake, Goldsworthy has the child's joy when it snows (school's cancelled, snowball fights, ice skating, sledging, and making snowmen and snowballs).
Andy Goldsworthy speaks in wonder and awe of 'the effect, the excitement' of the first snowfall. Some of this excitement comes across in Goldsworthy's snowworks. He has made, for example, patterns in the snow by rolling a snowball around a field, exactly as kids do when it snows (1982 and 1987).
Some of Goldsworthy's earliest works with snow were large snowballs. In some of these early snow pieces, Goldsworthy placed snowballs in areas such as woods and fields which didn't have any snow, so the snowballs stood out in the trees and grass (as in Ilkley, Yorkshire, 1981).
1 different editions
Also available
Also in
Sculpture & Installation
Mastering Sculpture: The Figure in Clay: A Guide to Capturing the Human Form for Ceramic Artists
Córdova, Cristina
Hardcover
Our Lady of the World's Fair: Bringing Michelangelo's Pietà to Queens in 1964
Nelson, Ruth D.
Hardcover
The Sheela-na-Gigs of Ireland and Britain: The Divine Hag of the Christian Celts - An Illustrated Guide
Roberts, Jack
McMahon, Joanne
Paperback
The Shape of Power: Stories of Race and American Sculpture
Wofford, Tobias
Yasumura, Grace
Lemmey, Karen
Hardcover
DaVinci Resolve 20 Voor Beginners: Een stapsgewijze gids voor professionele montage, kleur en audio
Cole, Ethan
Paperback
Freeing the Angel from the Stone a Guide to Piccirilli Sculpture in New York City
Koffler, Eleanor
Koffler, Jerry
Paperback
Carving Favorite Songbirds: Patterns and Instructions for 12 Life-Size Models
Hillman, Anthony
Paperback
Looking at Greek and Roman Sculpture in Stone: A Guide to Terms, Styles, and Techniques
Grossman, Janet
Paperback
Roni Horn: Water Water on the Wall, You're the Fairest of Them All
Earnest, Jarrett
Carson, Anne
Burnett Abrams, Nora
Hardcover
This Place of Silence: Ohio's Cemeteries and Burial Grounds
Schieber, Randall Lee
Smith, Robin L.
Adams, Ian
Paperback
Gargoyles, Chimeres, and the Grotesque in French Gothic Sculpture
Bridaham, Lester Burbank
Cram, Ralph Adams
Paperback
A visual Course of Sculpting techniques: 270 photographs to learn how to model clay busts in the round
Savi, Fabrizio
Paperback