Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Jean-Luc Godard: Philosopher/Insurgent

Jean-Luc Godard: Philosopher/Insurgent

Lee, Jonathan Scott

Paperback

PhilosophyFilmmaking

Currently unavailable to order

ISBN13: 9798216383987
Publisher: Bloomsbury Academic
Pages: 152
Weight: 1.00
Height: 1.00 Width: 6.00 Depth: 9.00
Language: English

In Jean-Luc Godard: Philosopher/Insurgent, Jonathan Scott Lee contends that renowned filmmaker Jean-Luc Godard can be most accurately considered as a philosopher who uses cinema and video as his media to develop provocative aesthetic interventions into contemporary political situations and dilemmas.

Rather than attempting to write a definitive study of Godard or establish a new canon from his expansive oeuvre, Lee identifies a particularly salient selection of his work which highlights innovative ways of understanding his lifelong engagement with film and video. Building on Godard's own claim that cinema is made of forms that think, Lee embarks on a compelling exploration of the ways in which these films are poised to guide viewers into a subjunctive space of interpretation in which philosophical thinking engages fundamental questions about an art of living.

Moving through these films chronologically, each of the three essay-chapters considers a different stage of Godard's thought and career through the lens of another prominent thinker-in the 1960s, Cynic philosopher Diogenes of Sinope; in the late 1960s and early 1970s, psychoanalyst Jacques Lacan; and in the final decades, historian and philosopher of art André Malraux. By offering a distinct trajectory through Godard's work between 1960 and 2018, Lee demonstrates how his various modes of cinematic and video intervention might be seen to effect real change in audiences' thinking and in the world more broadly.

1 different editions

Also available

Also from

Lee, Jonathan Scott

View All

Also in

Filmmaking

View All