Robert Bresson: Cinematic Style as Philosophy

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ISBN10: 0226845044
ISBN13: 9780226845043
Publisher: University of Chicago Press
Published: Jan 19 2026
Pages: 176
Weight: 0.59
Height: 0.48 Width: 6.14 Depth: 8.92
Language: English

A philosophical engagement with Bresson's many films, attentive to more than their religiosity.

Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as filmed theater, Bresson proposed instead a way of writing with images, which he called cinematographs. Robert B. Pippin argues here for a way of understanding how these stylistic innovations express a range of philosophical commitments, explorations of the possible sources of meaning in late modern life, and the implications of the absence of such sources.

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Left or Right? Directing Lateral Movement in Film [B&W]

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Audience-Ology: How Moviegoers Shape the Films We Love

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American Cinematographer Manual 9th Ed. Vol. I

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The Grip of Film

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André Bazin on Documentary: Cinema's Urge to Explore

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The Grip Book: The Studio Grip's Essential Guide

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Directing the Narrative and Shot Design: The Art and Craft of Directing (Hardback, B&W)

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Hollywood Dealmaking: Negotiating Rights and Talent Agreements for Film, Tv, and Digital Media (Fourth Edition)

Appleton, Dina

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$37.95