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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Inventing Falsehood, Making Truth: Vico and Neapolitan Painting

Inventing Falsehood, Making Truth: Vico and Neapolitan Painting

Bull, Malcolm

Hardcover

Series: Essays in the Arts

PhilosophyArt HistoryItalian History

Currently unavailable to order

ISBN10: 0691138842
ISBN13: 9780691138848
Publisher: Princeton University Press
Published: Dec 8 2013
Pages: 160
Weight: 1.00
Height: 0.70 Width: 6.20 Depth: 9.30
Language: English

How the philosophy of Giambattista Vico was influenced by eighteenth-century Neopolitan painting

Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.

Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.

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