Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Illustration and Forensic Fictioning: A Speculative Counter-History of the Birmingham Central Library

Illustration and Forensic Fictioning: A Speculative Counter-History of the Birmingham Central Library

Proskourine-Barnett, Gareth

Hardcover

Series: Bloomsbury Research in Illustration

ArchaeologyGeneral ArchitectureIllustration

PREORDER - Expected ship date April 29, 2027

ISBN10: 1350586056
ISBN13: 9781350586055
Publisher: Bloomsbury Visual Arts
Published: Apr 29 2027
Pages: 240
Weight: 1.00
Height: 1.00 Width: 6.14 Depth: 9.21
Language: English

This book applies illustration methods to investigate our relationship to, and occupation of, place within and through the virtual, exploring how digital imaging technologies have the potential to transform our relationship to the landscape.

At a time when brutalist buildings such as the - now demolished - Birmingham Central Library are at risk of being lost or forgotten, this book explores the possibilities of an expanded illustration practice in compiling a representation (or speculative counter-history) of a building as a multi-layered and multi-temporal site. It asks: how might illustrators utilise the archaeological possibilities of cyberspace to re- imagine our relationship to sites that no longer exist? Can the distortion of brutalism, experienced via new technologies, impact our ability to speculate on the 'other/xeno' political and narrative possibilities of place? In the broadest terms this is an attempt to illustrate a world where ruins might become utopias, where history is written to alter the future, where new narratives are constructed, and where archaeology and futurism merge.

Gareth Proskourine-Barnett employs a series of essayistic auto-fictions, where storytelling weaves together conflicting narrative arcs that disrupt what we perceive to be real in relation to the history of a site

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