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Iconographie Des Etoffes Pientes
Hardcover
Asian ArtBuddhismFashion & Accessories
ISBN13: 9781025726274
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 148
Weight: 0.85
Height: 0.38 Width: 6.14 Depth: 9.21
Language: English
Iconographie Des Etoffes Pientes is a significant scholarly investigation into the religious and artistic traditions of Buddhist ritual textiles. Authored by the prominent Tibetologist Marcelle Lalou, this work focuses on the iconographic analysis of painted cloths, or pata, which served as essential components in the spiritual practices of Central and South Asia. By utilizing the textual framework of the Mañju?r?m?lakalpa, Lalou provides a detailed reading of the symbols, deities, and sacred diagrams depicted on these delicate artifacts.
The book explores the precise visual language used by ancient artisans to convey complex theological concepts, bridging the gap between textile history and Buddhist studies. It examines the functional role of these painted fabrics in ceremony and meditation, offering insights into the material culture of the period. This volume remains a vital resource for art historians, researchers of Asian religious traditions, and those interested in the preservation of sacred iconography. Through its rigorous examination, Iconographie Des Etoffes Pientes illuminates the deep connection between artistic expression and spiritual devotion in the Buddhist world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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