Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Harmony Simplified; A Simple and Systematic Exposition of the Principles of Harmony, Designed Not Only to Cultivate a Thorough Knowledge of Chord-Cons

Harmony Simplified; A Simple and Systematic Exposition of the Principles of Harmony, Designed Not Only to Cultivate a Thorough Knowledge of Chord-Cons

Shepard, Frank Hartson

Paperback

Fiction Anthologies

Currently unavailable to order

ISBN10: 1153743000
ISBN13: 9781153743006
Publisher: General Books
Pages: 50
Weight: 0.24
Height: 0.10 Width: 7.44 Depth: 9.69
Language: English
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: ...it is technically called a dissonance if it demands that another chord should follow to give a feeling of completion or repose. (See 150 and 151.) It was formerly the rule, that all dissonances should be prepared. At the present day it is the custom to prepare only harsh dissonances. The chord of the Dominant seventh was the first to be freed from the restriction, and the chord of the Diminished seventh is also free, while the Secondary Chords of the Seventh, and the Chord of the Ninth ( par Though not requiring preparation, it is well to approach the milder dissonances by a Diatonic step rather than by a skip. ticularly the Minor Ninth, because it is a harsh dissonance), are usually prepared. Preparing a dissonance means, that the note which causes the dissonance shall have been present as a consonance in the chord immediately preceding; e. g., n II The note C, having appeared in the first chord as a consonant note, is thus prepared in the second chord where it is a dissonant note. 182. Instead of being prepared, all dissonant notes may enter diatonically; i. e., from the next step above or below. E. g., (The dissonant note C enters from the next step above.) In general, therefore, we should not skip to a dissonant interval, but either prepare it or lead stepwise into it. 1S3. A dissonant note, i. e., a note which forms a dissonance with another, should not be doubled. Being a tendency-note, as all dissonances are, if it were to be doubled either consecutive Sves woidd result, or a contradiction of its natural tendency by one of the notes. ( See 162.) 1S4. Exercises. R6 37 7 6 6 4 7 Succession of Chords of the Seventh; Resolution of one Seventh-Chord to another SeventhChord. ...

1 different editions

Also available

Also in

Fiction Anthologies

View All