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Empfindsamer Stil: English version
Paperback
Series: Roberto Barreca
Music Instruction: GeneralMusic Reference
Publisher: Independently Published
Published: Mar 30 2026
Pages: 34
Weight: 0.12
Height: 0.09 Width: 6.00 Depth: 9.00
Language: English
In Empfindsamer Stil, Roberto Barreca offers a bold and deeply original journey into the heart of eighteenth-century musical sensibility, where Baroque unity dissolves into a vibrant dialogue of emotions, and the seeds of Romanticism begin to stir. Drawing on nearly fifty years of listening, performance, and philosophical inquiry, Barreca develops a striking aesthetic vision: music as an experiential geography, a living map of affective regions that transcend time, style, and convention.
Through penetrating analyses of Haydn, J.S. Bach, C.P.E. Bach, Boccherini, and many others, the author reveals a hidden continuity beneath the surface of music history-an atmosphere that connects the Empfindsamer Stil, the galant style, and Sturm und Drang as expressions of a single, evolving spiritual condition. From the intimate family dialogue of chamber music to the nocturnal premonitions of Romanticism, each page invites the reader to listen anew.
Blending musicology, phenomenology, and psychoanalytic insight, Barreca challenges established categories and proposes a radical rethinking of style itself: not as a historical label, but as a mode of being. His concept of a four-dimensional aesthetic space-where distant composers may be neighbors, and eras overlap in unexpected ways-opens a new horizon for understanding music beyond chronology.
At once rigorous and visionary, Empfindsamer Stil is an essential work for musicians, scholars, and readers drawn to the deeper meaning of sound. It is not merely a study of a style, but an exploration of how music thinks, feels, and becomes.
Roberto Barreca is a musician, philosopher, psychologist and psychoanalyst.Also from
Barreca, Roberto
Note gnoseologiche sull'inconscio e sullo statuto epistemologico psicoanalitico
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Other Divagations: Beethoven's Symphonies: A Comparison of Various Interpretations
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Autres divagations: Les symphonies de Beethoven: une confrontation entre différentes interprétations
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Otras divagaciones: Las sinfonías de Beethoven: una comparación entre varias interpretaciones
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Il Laudamus te, dalla Missa S. Emidio di Pergolesi, nell'interpretazione di Claudio Abbado: Note di un'ontologia preliminare
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Outras Divagações: As Sinfonias de Beethoven: um confronto entre várias interpretações
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Weitere Abschweifungen: Beethovens Sinfonien: Ein Vergleich verschiedener Interpretationen
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Altre divagazioni: Le sinfonie di Beethoven: un confronto tra varie interpretazioni
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L'intersezione estetica: Le sonate per flauto di Haendel nell'interpretazione di Jean-Pierre Rampal
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