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Correspondance
Paperback
ISBN13: 9782213608990
Publisher: Fayard
Published: Feb 21 2022
Pages: 526
Weight: 1.58
Height: 1.06 Width: 6.02 Depth: 9.25
Language: French
Cent vingt ans après la mort du compositeur, la Correspondance de Moussorgski restait inaccessible en traduction française. Elle recèle néanmoins d'incalculables richesses. Outre les informations biographiques grâce auxquelles on peut retracer le parcours personnel et musical du compositeur entre sa dix-huitième année et sa mort, elle permet de cerner sa personnalité, avec ses zones d'ombre et de lumière: ses prises de position sur les sujets brûlants de son époque (l'amour de la Russie, l'abolition du servage, les bruits de guerre en 1870...) s'expriment avec une violence parfois saisissante.
Le groupe des Cinq auquel appartenait Moussorgski n'était pas une école ou une phalange où l'unanimisme aurait été de rigueur, bien au contraire. Les divergences esthétiques ou personnelles entre ses différents membres s'expriment parfois violemment dans la correspondance, et des ruptures interviennent, avec Balakirev lorsqu'il juge sévèrement Une nuit sur le mont Chauve ou avec César Cui qui écrit un article très critique sur Boris Godounov. Si le ton est vif avec les plus proches, il l'est encore plus avec les compositeurs de tendances opposées: Tchaïkovski et Anton Rubinstein en particulier concentrent les attaques les plus virulentes de Moussorgski.
Les correspondants de Moussorgski ne sont pas tous musiciens: l'intérêt de cet échange épistolaire dépasse ainsi la sphère strictement musicale et apporte des témoignages d'importance sur l'ensemble de la vie culturelle en Russie durant la seconde moitié du xixe siècle.
La personnalité originale de Moussorgski s'exprime dans une langue vigoureuse et audacieuse, qui, par ses constructions verbales, ses inventions de langage, manifeste un tempérament littéraire aussi créatif que celui du musicien.
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