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The Crossing of the Visible
Paperback
Series: Cultural Memory in the Present
PhilosophyPainting Instruction
ISBN13: 9780804733922
Publisher: Stanford University Press
Published: Dec 11 2003
Pages: 120
Weight: 0.33
Height: 0.33 Width: 6.22 Depth: 9.40
Language: English
Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility--of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance--or what Marion describes as phenomenality in general.
In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting--from classical to contemporary--as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the nihilism of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
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