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Colour Block Print Making From Linoleum Blocks
Hardcover
PrintmakingPrintmaking & Stamping
ISBN13: 9781025561103
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 232
Weight: 1.11
Height: 0.56 Width: 6.14 Depth: 9.21
Language: English
Colour Block Print Making From Linoleum Blocks is a comprehensive guide to the art of linocut printmaking, written by the esteemed artist Hesketh Hubbard. This instructional work provides a detailed exploration of the relief printing process, specifically focusing on the use of linoleum as a medium for creating multi-colored prints.
Hubbard, a key figure in the early 20th-century printmaking revival, shares technical insights into the preparation of blocks, the registration of colors, and the delicate balance of ink application. The book serves as both a practical manual for aspiring artists and a significant historical document reflecting the aesthetic values of the 1920s art world. Readers will find thorough explanations of tools, materials, and the creative workflow required to produce professional-quality block prints.
By emphasizing the accessibility and expressive potential of the linoleum block, Hubbard's work contributed significantly to the democratization of art production during its time. This volume remains an essential resource for those interested in the traditional techniques of printmaking and the evolution of modern graphic arts.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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