Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Cinematic Skepticism: Across Digital and Global Turns

Cinematic Skepticism: Across Digital and Global Turns

Gerrits, Jeroen

Paperback

PhilosophyFilm Studies

ISBN10: 1438476647
ISBN13: 9781438476643
Publisher: State University of New York Press
Published: Aug 1 2020
Pages: 234
Weight: 0.75
Height: 0.70 Width: 6.00 Depth: 8.90
Language: English

Drawing on the film-philosophies of Stanley Cavell and Gilles Deleuze, argues that skepticism is an ethical problem that pervades contemporary film.

Because of its automatic way of recording reality, film has a privileged relation to the problem of skepticism. If early film theorists celebrate cinema for overcoming skeptical doubt about the power of human vision, recent film-philosophers argue that our postphotographic, digital cinema is heading toward a general acceptance of skepticism, as though nothing on screen has anything to do with reality any longer. Emerging from the interaction of Stanley Cavell's and Gilles Deleuze's film-philosophies, Cinematic Skepticism challenges both these views. Jeroen Gerrits takes the issue of skepticism beyond concern with knowledge, turning skepticism into an ethical problem that pervades film history and theory. At the same time, he rethinks a Cavello-Deleuzian approach across the digital and global turns in cinema. Combining clear explanations of complex philosophical arguments with in-depth analyses of the contemporary films Grizzly Man, Amélie, Three Monkeys, and The Headless Woman, Gerrits traces how cinema invents ways of dis/connecting to the world.

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