Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Between Speech and Song

Between Speech and Song

Papaioannou, Orestis

Paperback

Series: Elements in Musical Theatre

General Music

ISBN10: 1009676601
ISBN13: 9781009676601
Publisher: Cambridge University Press
Published: Jun 25 2026
Pages: 92
Weight: 0.30
Height: 0.19 Width: 6.00 Depth: 9.00
Language: English
At the turn of the twentieth century, operatic singing in the German-speaking world remained deeply influenced by the Italian tradition, which implied a lyrical vocal style that prioritised technical precision, tonal beauty, and expressive clarity. From the 1910s onward, composers increasingly and systematically explored vocal techniques that blurred the boundary between speech and song, referred to here as the 'hybrid voice'. These approaches emerged from a complex interplay of symbolic, aesthetic, political, and philosophical influences and reflect a search for more diverse and individualised modes of vocal expression. This Element examines the hybrid voice in four seminal works of German modernism: Alban Berg's Wozzeck, Kurt Weill's Aufstieg und Fall der Stadt Mahagonny, Bernd Alois Zimmermann's Die Soldaten, and Adriana Hölszky's Bremer Freiheit. By situating each work within its historical and stylistic context, it traces a broader musical trajectory in German opera from expressionism and new objectivity to the postwar avant-garde.

1 different editions

Also available

Also from

Papaioannou, Orestis

View All

Also in

General Music

View All