Opera in 2024

Oeuvres Completes. Tome VII: Ecrits Sur Les Musiciens d'Autrefois I. Histoire de l'Opera En Europe Avant Lully Et Scarlatti by Rolland, Romain

Rape at the Opera: Staging Sexual Violence by Cormier, Margaret

Latin America and the Transports of Opera: Fragments of a Transatlantic Discourse by Díaz, Roberto Ignacio

Karfreitagszauber: Wagners 'Parsifal' Und Die Europaische Lesekultur Des Industriezeitalters (1857-1918) by Mentzel-Reuters, Arno

Opera Cinema: A New Cultural Experience by Attard, Joseph

Wagner e il buddismo, insieme al suo plagio in Wagner e il nirvana by App, Urs

Staging Voice by Grover-Friedlander, Michal

Martin Crimp's Power Plays: Intertextuality, Sexuality, Desire by Angelaki, Vicky

Claudio Monteverdi's Venetian Operas: Sources, Performance, Interpretation by

Orpheus in the Academy: Monteverdi's First Opera and the Accademia Degli Invaghiti by Schwindt, Joel

Gracchus: A Tragic Opera in Three Acts by

Said on Opera by Said, Edward

Irene Dalis Diva, Impresaria, Legend by Riebel, Linda

Said on Opera by Said, Edward

Not Good Enough?: Vocal Shame Among Finnish Classical Singers by Seesjärvi, Iris

Women in Nineteenth-Century Czech Musical Culture: Apostles of a Brighter Future by

Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi by

Music Glocalization and the Composer: The Case of Franz Xaver Scharwenka (1850-1924) by Rykowski, Mikolaj

Aix: A History of the Aix-en-Provence Festival by Trowbridge, Simon

Callas 100 by Guida, Giampaolo

Wagner in Context by

Testament to Love Exalted by Athmann, Isabelle

Música, Sólo Música / Absolutely on Music: Conversations by Murakami, Haruki, Ozawa, Seiji

Screening the Operatic Stage: Television and Beyond by Morris, Christopher

Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music by Becker, Rachel N.

Screening the Operatic Stage: Television and Beyond by Morris, Christopher

The American Musical: Evolution of an Art Form by West, Ben

Opera as Art: Philosophical Sketches by Thom, Paul

Charles Villiers Stanford: Man and Musician: Revised and Expanded Edition by Dibble, Jeremy

Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age by Steigerwald Ille, Megan

Ordo Virtutum (ordem Das Virtudes): Partitura Bilíngue Em L by Hildegard Von Bingen, S.

Twenty-Four Songs and Arias in Spanish: From XV to XXI Centuries. For Medium-Low Voices by Caicedo, Patricia

The Operetta Empire: Music Theater in Early Twentieth-Century Vienna by Baranello, Micaela

Pirates of the High Cs: Revised 2024 Edition: Opera Bootlegging in the 20th Century by Limansky, Nicholas E.

La ópera de Beijing en español by Song, Yang

Nurse in History and Opera: From Servant to Sister by Barger, Judith

The World Got Away: A Memoir by Rouse, Mikel

The Choice of Odysseus: Homeric Ethics in Renaissance Epic and Opera by Van Der Laan, Sarah

Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain by

English and German Diction for Singers: A Comparative Approach by Johnston, Amanda

Music Theatre and the Holy Roman Empire by Glatthorn, Austin

Italian Opera in Global and Transnational Perspective by

The Music of Spain by Vechten, Carl Van

English and German Diction for Singers: A Comparative Approach by Johnston, Amanda

Liyuanxi - Chinese 'Pear Garden Theatre' by Stenberg, Josh

The Marqués, the Divas, and the Castrati: Gaspar de Haro Y Guzmán and Opera in the Early Modern Spanish Orbit by Stein, Louise K.

Upon a Day: Verse and Other Writings by Getty, Gordon

Tradition, Community, and Nationhood in Richard Wagner's Die Meistersinger von Nürnberg by Kimbell, Christopher

Music and Modernity in Enlightenment Spain by Sánchez-Rojo, Ana P.

Pasticcio Opera in Britain: History and Context by Morgan Barnes, Peter

Seeing Through: A Chronicle of Sex, Drugs, and Opera by Gordon, Ricky Ian

Donizetti et l'école italienne depuis Rossini: L'évolution de l'opéra italien au XIXe siècle à travers l'oeuvre de Donizetti by Scudo, Paul

Pavarotti: Technician and Magician by Talia, Joseph

Music, the Market, and the Marvellous: Parisian Féerie, 1864-1900 by Sabbatini, Tommaso

Bobby and Carolyn: A Memoir of My Two Mothers by Drury, John Philip

Huaibei Flower Drum Opera: Research and Inheritance/淮北花鼓戏研究与传承 by 李俊民

The Cambridge Stravinsky Encyclopedia by

A New Philosophy of Opera by Sharon, Yuval

La Traviata: Libretto, Italian and English Text and Music of the Principal Airs by Piave, Francesco Maria

Women in American Operas of the 1950s: Undoing Gendered Archetypes by Hershberger, Monica A.

New Dramaturgies of Contemporary Opera: The Practitioners' Perspectives by

The Cultural Politics of Opera, 1720-1742: The Era of Walpole, Pope, and Handel by McGeary, Thomas

Italian Opera Singing at the Time of Verismo: The Invention of the Modern Voice by Gentili, Barbara

Mozart et Don Juan: Une plongée dans les coulisses de la création de l'un des opéras les plus célèbres de Wolfgang Amadeus Mozart, "Don Giovanni" by Scudo, Paul

The Dance and Opera Stage Manager's Toolkit: Protocols, Practical Considerations, and Templates by Kay, Michele, Studham, Susan Fenty

The Dance and Opera Stage Manager's Toolkit: Protocols, Practical Considerations, and Templates by Studham, Susan Fenty, Kay, Michele

Opera, a History of the Impossible Genre by Langford, Jeffrey

Handel by

Opera After 1900 by

Studies in Seventeenth-Century Opera by

National Traditions in Nineteenth-Century Opera, Volume I: Italy, France, England and the Americas by

National Traditions in Nineteenth-Century Opera, Volume II: Central and Eastern Europe by

Essays on Opera, 1750-1800 by

Opera Remade, 1700�1750 by

Contemporary Opera in Flux by

La malinconia di Leporello: Storia, dramma ed evoluzione del servitore di Don Giovanni by Paradisi Miconi, Eleonora

Famous Prima Donnas: Condensed Edition by Strang, Lewis C.

Early Music in the 21st Century by

Beyond Reason: Wagner Contra Nietzsche by Berger, Karol

The Indie Post Magazine Des Oliver November 20, 2024 Issue Vol. 5 by Sedman, Gina

Carmen in Diaspora: Adaptation, Race, and Opera's Most Famous Character by Wilks, Jennifer M.

Vincenzo Bellini on Stage and Screen, 1935-2020 by

Music and Sound in European Theatre: Practices, Performances, Perspectives by

Weep, Shudder, Die: On Opera and Poetry by Gioia, Dana

Voltaire a l'Opera by

Vox Eurydice: The Ascent of the Female Rescuer in German-Language Opera by Mendenhall, Margaret Ann

Opening Doors: Orchestras, Opera Companies and Community Engagement by Dollman, Emily

Schubert's Reputation from His Time to Ours by Block, Geoffrey