Film Studies in 2014
Television and British Cinema: Convergence and Divergence Since 1990
by
Andrews, Hannah
Reading Vampire Gothic Through Blood: Bloodlines
by
Stephanou, Aspasia
Hollywood Remakes, Deleuze and the Grandfather Paradox
by
Varndell, D.
Marx at the Movies: Revisiting History, Theory and Practice
by
Kristensen, Lars
Masculinity and Irish Popular Culture: Tiger's Tales
by
Holohan, Conn, Tracy, Tony
Shakespeare, Dissent, and the Cold War
by
Thomas, Alfred
Texture in Film
by
Donaldson, Lucy Fife
Performing Feeling in Cultures of Memory
by
Trezise, B.
Animation, Sport and Culture
by
Wells, P.
The Collinsport Historical Society presents MONSTER SERIAL: Saturday Morning Sugar Rush Edition
by
McCray, Patrick, Faraj, Ansel
Postmodern Metanarratives: Blade Runner and Literature in the Age of Image
by
Loparo, Kenneth A.
Writing for Television, Radio, and New Media
by
Hilliard, Robert
Slapstick and Comic Performance: Comedy and Pain
by
Peacock, L.
The Sounds of Silent Films: New Perspectives on History, Theory and Practice
by
Windisch, Anna Katharina, Tieber, Claus
Roadshow!: The Fall of Film Musicals in the 1960s
by
Kennedy, Matthew
On Hollywood: The Place, the Industry
by
Scott, Allen J.
El cine politico militante en la Argentina (1966-1976)
by
Bracco, Roberto Daniel
Carrie
by
Mitchell, Neil
Hollywood in Cannes: The History of a Love-Hate Relationship
by
Jungen, Christian
The Thing
by
Conolly, Jez
Edgar G. Ulmer: A Filmmaker at the Margins Volume 48
by
Isenberg, Noah
The Sacred and the Cinema: Reconfiguring the 'Genuinely' Religious Film
by
Nayar, Sheila J.
An Invention Without a Future: Essays on Cinema
by
Naremore, James
Films You Saw in School: A Critical Review of 1,153 Classroom Educational Films (1958-1985) in 74 Subject Categories
by
Alexander, Geoff
An Invention Without a Future: Essays on Cinema
by
Naremore, James
Pittsburgh Film and Television
by
Tiech, John
Cinema at the Shore: The Beach in French Film
by
Handyside, Fiona
Post-Wall German Cinema and National History: Utopianism and Dissent
by
O'Brien, Mary-Elizabeth
The Attention Complex: Media, Archeology, Method
by
Rogers, K.
The Attention Complex: Media, Archeology, Method
by
Rogers, K.
Occult Aesthetics: Synchronization in Sound Film
by
Donnelly, K. J.
Inszenierung der Massen im politischen Film: Griffith, Eisenstein und Riefenstahl im Vergleich
by
Bendocchi Alves, Marina
Critical Theory and Film: Rethinking Ideology Through Film Noir
by
Vighi, Fabio
The Alienated War Veteran in Film and Literature
by
Early, Emmett
Feeling Film: Affect and Authenticity in Popular Cinema
by
Singh, Greg
Continental Strangers: German Exile Cinema, 1933-1951
by
Gemünden, Gerd
Continental Strangers: German Exile Cinema, 1933-1951
by
Gemünden, Gerd
Inspiring Fellini: Literary Collaborations Behind the Scenes
by
Pacchioni, Federico
Feeling Film: Affect and Authenticity in Popular Cinema
by
Singh, Greg
Videoland: Movie Culture and the American Video Store
by
Herbert, Daniel
Videoland: Movie Culture and the American Video Store
by
Herbert, Daniel
Little Miss Star Story
by
Miles, Noah
Analyse einer filmischen Adaption: Alice im Wunderland von Tim Burton im Vergleich zu den Büchern von Lewis Carroll
by
Weiler, Pia
Aki Kaurismäkis "I hired a contract killer". Bildsprache in der Eröffnungssequenz: Distanzierter Blick auf eine leblose Welt
by
Gaul, Simone Catharina
Die Faszination der Zuschauer am Wrestling
by
Vasniszky, Thomas
Death and the Moving Image: Ideology, Iconography and I
by
Aaron, Michele
Andrej Tarkowskijs Bedeutung für die Entwicklung des sowjetischen Science Fiction-Films: Fremde Planeten und die Zone
by
Polovnikova, Polina
Walter Ruttmann and the Cinema of Multiplicity: Avant-Garde Film - Advertising - Modernity
by
Cowan, Michael
The Dude and the Zen Master
by
Bridges, Jeff, Glassman, Bernie
Catolicismo y moralidad en el cine espanol de la transicion
by
Gonzalez Manrique, Manuel Jesus
Movies and American Society
by
Ross, Steven J.
World Cinema Through Global Genres
by
Costanzo, William V.
World Cinema Through Global Genres
by
Costanzo, William V.
Queer Nostalgia in Cinema and Pop Culture
by
Padva, Gilad
Doctor Who - The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era
by
O'Day, Andrew
Apocalypse in Contemporary Japanese Science Fiction
by
Tanaka, M.
Gegen die Timeline. Dramaturgie der non-linearen Narrationstechnik in González-Iñarritús Film "Amores Perros"
by
Nedov, Pyotr Magnus
The Development of Japanese Cinema
by
Tafero, Arthur H.
Hollywood's Made To Order Punks, Part 2: A Pictorial History of: The Dead End Kids Little Tough Guys East Side Kids and The Bowery Boys
by
Roat, Richard
Watching Human Rights: The 101 Best Films
by
Gibney, Mark
Moving Images: Psychoanalytic reflections on film
by
Sabbadini, Andrea
American History through Hollywood Film
by
Stokes, Melvyn
The Shadow Self in Film: Projecting the Unconscious Other
by
Reiter, Gershon
Charlie Chaplin and His Times
by
Lynn, Kenneth S.
Sexualität und Gewalt im Film Noir der 70er. Martin Scorseses "Taxi Driver"
by
Vasniszky, Thomas
Last Features: East German Cinema's Lost Generation
by
Steingröver, Reinhild
The Cinema of Alexander Sokurov: Figures of Paradox
by
Szaniawski, Jeremi
The Searchers: The Making of an American Legend
by
Frankel, Glenn
501 Things You Should Know About The Independent Film Business
by
Rodsett, John
Roy Huggins: Creator of Maverick, 77 Sunset Strip, The Fugitive and The Rockford Files
by
Green, Paul
Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema
by
Fisher, Austin
Raising Rosebud - Das Narrationskonzept Backstorywound am Beispiel von Citizen Kane
by
Tüttelmann, Eva
Hollywood Heartache: 50 Movie Star Tragedies
by
Green, Jim
Screens of Blood: A Critical Approach to Film and Television Violence
by
Desilet, Gregory
The Medieval Filmscape: Reflections of Fear and Desire in a Cinematic Mirror
by
Woods, William F.
Magic Realist Cinema in East Central Europe
by
Skrodzka, Aga
Sexualität und Gewalt im Film Noir der 70er: Martin Scorseses Taxi Driver
by
Vasniszky, Thomas
Rethinking Occupied Ireland: Gender and Incarceration in Contemporary Irish Film
by
Scarlata, Jessica
The Place of Breath in Cinema
by
Quinlivan, Davina
City of Nets
by
Friedrich, Otto
Of Empire and the City: Remapping Early British Cinema
by
Cinquegrani, Maurizio
Italian Westerns: The Essential Films
by
Hoover, Stephen
Killer Movies: The Essential Thrillers
by
Hoover, Stephen
Reframing Reality: The Aesthetics of the Surrealist Object in French and Czech Cinema
by
Frank, Alison
Der Wüsten-Topos im Videoclip: Exemplarische Analysen
by
Buttmann, Nina
Faster, Pussycat! Kill! Kill!
by
Defino, Dean
Quadrophenia
by
Glynn, Stephen
Lee J. Cobb: Characters of an Actor
by
Dewey, Donald
Fashioning Bollywood: The Making and Meaning of Hindi Film Costume
by
Wilkinson-Weber, Clare M.
Latino Los Angeles in Film and Fiction: The Cultural Production of Social Anxiety
by
López-Calvo, Ignacio
Unruly Women: Performance, Penitence, and Punishment in Early Modern Spain
by
Boyle, Margaret E.
Frankenstein
by
Horton, Robert
Guiltless Pleasures: A David Sterritt Film Reader
by
Sterritt, David
The Movie Imperative
by
Jones, Martin
Masculinity and Irish Popular Culture: Tiger's Tales
by
Holohan, Conn, Tracy, Tony
Five Came Back: A Story of Hollywood and the Second World War
by
Harris, Mark
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
by
Uroskie, Andrew V.
Augmented Reality: Hype oder zukunftsweisende Technik?
by
Preuß, Simon
Talk's Cheap, Action's Expensive - The Films of Robert L. Lippert (hardback)
by
McGee, Mark Thomas
Swedish Crime Fiction PB: Novel, Film, Television
by
Peacock, Steven
Doc Holliday in Film and Literature
by
Linder, Shirley Ayn
The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters
by
Depaoli, Maria Teresa
Talk's Cheap, Action's Expensive - The Films of Robert L. Lippert
by
McGee, Mark Thomas
Reel Change: The Changing Nature of Hollywood, Hollywood Movies, and the People Who Go to See Them
by
Mesce, Bill, Jr.
Unmediated: Essays on Media, Culture, Cinema
by
Kumar, Sashi
Kristeva in Focus: From Theory to Film Analysis
by
Goodnow, Katherine J.
Subjective Realist Cinema: From Expressionism to Inception
by
Campora, Matthew
Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To?
by
Roche, David
Fred Zinnemann and the Cinema of Resistance
by
Smyth, J. E.
Polish Film and the Holocaust: Politics and Memory
by
Haltof, Marek
Islands of Empire: Pop Culture and U.S. Power
by
Fojas, Camilla
Create Your Own TV Series for the Internet
by
Brown, Ross
The Grand Budapest Hotel
by
Anderson, Wes
French Animation History-NiP
by
Neupert, Richard
Bin Ich ein Anderer? Die Krise der männlichen Identität in "Fight Club" und "Shutter Island"
by
Müller, Sarah
Recycelte Bilder. Die Verweisstruktur im Videoclip am Beispiel von Fritz Langs Metropolis
by
Wagener, Kim
Untersuchung der Zuschauermotivation neuer Formate des Reality-TV: Am Beispiel von Big Brother
by
Czech, Lucy
Spectacular Digital Effects: CGI and Contemporary Cinema
by
Whissel, Kristen
Spectacular Digital Effects: CGI and Contemporary Cinema
by
Whissel, Kristen
History and Film
by
Sullivan, Shane Ian
Screenwriting in a Digital Era
by
Millard, Kathryn
I Do and I Don't: A History of Marriage in the Movies
by
Basinger, Jeanine
Location Filming in Arizona: The Screen Legacy of the Grand Canyon State
by
Debarbieri, Lili
The Highway Horror Film
by
Murphy, Bernice M.
Filming Forster: The Challenges of Adapting E. M. Forster's Novels for the Screen
by
Ingersoll, Earl G.
Lost Facts of Hollywood: A Report Series by Frank Billecci: Part 1- 'irene' From a Big Sky girl to a Hollywood Designer
by
Billecci, Frank
Film Sound in Italy: Listening to the Screen
by
Sisto, A.
Film Sound in Italy: Listening to the Screen
by
Sisto, A.
Zwischen Tabubruch und Zensur: Gesetzliche, religiöse und gesellschaftliche Zensurmaßnahmen in der Zeichentrickserie South Park
by
Presslaber, Reinhard
Documentary as Exorcism
by
Beckford, Robert
Documentary as Exorcism
by
Beckford, Robert
The Black Body in Ecstasy
by
Nash, Jennifer C.
A Critical History of History in Moving Pictures
by
Dunbar Ph. D., John N.
A Critical History of History in Moving Pictures
by
Dunbar Ph. D., John N.
The Reel Cowboy: Essays on the Myth in Movies and Literature
by
Rainey, Buck
Steven Spielberg and Duel: The Making of a Film Career
by
Awalt, Steven
The Heist Film: Stealing with Style
by
Lee, Daryl
The Black Body in Ecstasy: Reading Race, Reading Pornography
by
Nash, Jennifer C.
London's West End Cinemas
by
Eyles, Allen, Skone, Keith
Wicked Cinema: Sex and Religion on Screen
by
Cutrara, Daniel S.
Did You Notice?: The Wristwatch, Upside Down Gun, Power Pole and Tire Tracks in Western Film Stills
by
Creacy, Don
Hong Kong Documentary Film
by
Ingham, Michael, Aitken, Ian
French Queer Cinema
by
Rees-Roberts, Nick
Spanish Horror Film
by
Lázaro-Reboll, Antonio
Hounds of Zaroff: The Most Dangerous Game as a Persistent Muse to the Movies
by
Turner, George E., Price, Michael H.
Analyse einer Szene aus dem Film "A Serious Man" unter besonderer Berücksichtigung ihres komischen Potentials
by
Livshitz, Natalia
Zwischen Kommunismus und Kommerz - Entwicklungen, Tendenzen und Perspektiven der russischen Filmindustrie
by
Luft, Eduard
Romanian New Wave Cinema: An Introduction
by
Pop, Doru
Narratives of Gendered Dissent in South Asian Cinemas
by
Kurian, Alka
