Film Studies in 2014

The Highway Horror Film by Murphy, Bernice M.

Literature and Film, Dispositioned: Thought, Location, World by Gavin, Alice

Class, Crime and International Film Noir: Globalizing America's Dark Art by Broe, D.

Masculinity and Irish Popular Culture: Tiger's Tales by Holohan, Conn, Tracy, Tony

Animation, Sport and Culture by Wells, P.

East Asian Film Stars by

Shakespeare, Dissent, and the Cold War by Thomas, Alfred

Texture in Film by Donaldson, Lucy Fife

Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules by O'Brien, D.

Melodrama in Contemporary Film and Television by

Hollywood Remakes, Deleuze and the Grandfather Paradox by Varndell, D.

A Critique of Judgment in Film and Television by

Television and British Cinema: Convergence and Divergence Since 1990 by Andrews, Hannah

Sinophone Cinemas by

Reading Vampire Gothic Through Blood: Bloodlines by Stephanou, Aspasia

Performing Feeling in Cultures of Memory by Trezise, B.

Marx at the Movies: Revisiting History, Theory and Practice by Kristensen, Lars

British Television Animation 1997-2010: Drawing Comic Tradition by Norris, V.

Memory and Imagination in Film: Scorsese, Lynch, Jarmusch, Van Sant by Lombardo, P.

The Collinsport Historical Society presents MONSTER SERIAL: Saturday Morning Sugar Rush Edition by McCray, Patrick, Faraj, Ansel

Television Production Handbook, 12th by Zettl, Herbert

Society in Distress: The Image of the Czech Republic in Contemporary by Culik, Jan

Writing for Television, Radio, and New Media by Hilliard, Robert L.

The Spectral Metaphor: Living Ghosts and the Agency of Invisibility by Peeren, E.

Contemporary Asylum Narratives: Representing Refugees in the Twenty-First Century by Woolley, A.

New Documentary Ecologies: Emerging Platforms, Practices and Discourses by

The Sounds of Silent Films: New Perspectives on History, Theory and Practice by Windisch, Anna Katharina, Tieber, Claus

Choreographic Dwellings: Practising Place by

Queer Nostalgia in Cinema and Pop Culture by Padva, Gilad

Postmodern Metanarratives: Blade Runner and Literature in the Age of Image by Loparo, Kenneth A.

Slapstick and Comic Performance: Comedy and Pain by Peacock, L.

Roadshow!: The Fall of Film Musicals in the 1960s by Kennedy, Matthew

A New History of German Cinema by

On Hollywood: The Place, the Industry by Scott, Allen J.

El cine politico militante en la Argentina (1966-1976) by Bracco, Roberto Daniel

Cinemaphile - The Complete Writings 2013 by Keyes, David M.

The Thing by Conolly, Jez

Edgar G. Ulmer: A Filmmaker at the Margins Volume 48 by Isenberg, Noah

The Sacred and the Cinema: Reconfiguring the 'Genuinely' Religious Film by Nayar, Sheila J.

An Invention Without a Future: Essays on Cinema by Naremore, James

Humor in Middle Eastern Cinema by

The Legacies of Jean-Luc Godard by

Dark Laughter: Spanish Film, Comedy, and the Nation by Egea, Juan F., Egea, Juan

Post-Wall German Cinema and National History: Utopianism and Dissent by O'Brien, Mary-Elizabeth

The Attention Complex: Media, Archeology, Method by Rogers, K.

Inszenierung der Massen im politischen Film: Griffith, Eisenstein und Riefenstahl im Vergleich by Bendocchi Alves, Marina

The Attention Complex: Media, Archeology, Method by Rogers, K.

Cinema and Agamben: Ethics, Biopolitics and the Moving Image by

Occult Aesthetics: Synchronization in Sound Film by Donnelly, K. J.

Terrence Malick: Film and Philosophy by

Kidding Around by

Critical Theory and Film: Rethinking Ideology Through Film Noir by Vighi, Fabio

The Alienated War Veteran in Film and Literature by Early, Emmett

Screen Culture and the Social Question, 1880-1914 by

Continental Strangers: German Exile Cinema, 1933-1951 by Gemünden, Gerd

I Am Spartacus! by Douglas, Kirk

Continental Strangers: German Exile Cinema, 1933-1951 by Gemünden, Gerd

Sinophone Cinemas by

Feeling Film: Affect and Authenticity in Popular Cinema by Singh, Greg

Contemporary Asylum Narratives: Representing Refugees in the Twenty-First Century by Woolley, A.

Videoland: Movie Culture and the American Video Store by Herbert, Daniel

Little Miss Star Story by Miles, Noah

Analyse einer filmischen Adaption: Alice im Wunderland von Tim Burton im Vergleich zu den Büchern von Lewis Carroll by Weiler, Pia

Sucht und Sehnsucht. Die Bedeutung der Drogen in REQUIEM FOR A DREAM (2000) by Meise, Dominik

Die Faszination der Zuschauer am Wrestling by Vasniszky, Thomas

Aki Kaurismäkis "I hired a contract killer". Bildsprache in der Eröffnungssequenz: Distanzierter Blick auf eine leblose Welt by Gaul, Simone Catharina

Andrej Tarkowskijs Bedeutung für die Entwicklung des sowjetischen Science Fiction-Films: Fremde Planeten und die Zone by Polovnikova, Polina

Catolicismo y moralidad en el cine espanol de la transicion by Gonzalez Manrique, Manuel Jesus

World Cinema Through Global Genres by Costanzo, William V.

Movies and American Society by Ross, Steven J.

Death and the Moving Image: Ideology, Iconography and I by Aaron, Michele

The Dude and the Zen Master by Bridges, Jeff, Glassman, Bernie

Apocalypse in Contemporary Japanese Science Fiction by Tanaka, M.

Queer Nostalgia in Cinema and Pop Culture by Padva, Gilad

The Spectral Metaphor: Living Ghosts and the Agency of Invisibility by Peeren, E.

Literaturverfilmung "The Reader": Vergleich zwischen Literatur und Film by Hajsok, Marta

Gegen die Timeline. Dramaturgie der non-linearen Narrationstechnik in González-Iñarritús Film "Amores Perros" by Nedov, Pyotr Magnus

The Development of Japanese Cinema by Tafero, Arthur H.

American History through Hollywood Film: From the Revolution to the 1960s by Stokes, Melvyn

Moving Images: Psychoanalytic reflections on film by Sabbadini, Andrea

Hollywood's Made To Order Punks, Part 2: A Pictorial History of: The Dead End Kids Little Tough Guys East Side Kids and The Bowery Boys by Roat, Richard

Watching Human Rights: The 101 Best Films by Gibney, Mark

American History through Hollywood Film by Stokes, Melvyn

Charlie Chaplin and His Times by Lynn, Kenneth S.

Sexualität und Gewalt im Film Noir der 70er. Martin Scorseses "Taxi Driver" by Vasniszky, Thomas

Last Features: East German Cinema's Lost Generation by Steingröver, Reinhild

The Searchers: The Making of an American Legend by Frankel, Glenn

501 Things You Should Know About The Independent Film Business by Rodsett, John

Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema by Fisher, Austin

Raising Rosebud - Das Narrationskonzept Backstorywound am Beispiel von Citizen Kane by Tüttelmann, Eva

Hollywood Heartache: 50 Movie Star Tragedies by Green, Jim

Screens of Blood: A Critical Approach to Film and Television Violence by Desilet, Gregory

Sexualität und Gewalt im Film Noir der 70er: Martin Scorseses Taxi Driver by Vasniszky, Thomas

Magic Realist Cinema in East Central Europe by Skrodzka, Aga

The Place of Breath in Cinema by Quinlivan, Davina

Rethinking Occupied Ireland: Gender and Incarceration in Contemporary Irish Film by Scarlata, Jessica

City of Nets by Friedrich, Otto

Of Empire and the City: Remapping Early British Cinema by Cinquegrani, Maurizio

Amateur Filmmaking: The Home Movie, the Archive, the Web by

Killer Movies: The Essential Thrillers by Hoover, Stephen

Italian Westerns: The Essential Films by Hoover, Stephen

Film Firsts: The 25 Movies That Created Contemporary American Cinema by Alter, Ethan

Der Wüsten-Topos im Videoclip: Exemplarische Analysen by Buttmann, Nina

Quadrophenia by Glynn, Stephen

Lee J. Cobb: Characters of an Actor by Dewey, Donald

L'Affare Valentino by Zumaya, Evelyn

Internationales Alfred-Doeblin-Kolloquium- Berlin 2011: Massen und Medien bei Alfred Doeblin by

Faster, Pussycat! Kill! Kill! by Defino, Dean

Detecting Canada: Essays on Canadian Crime Fiction, Television, and Film by

New Documentary Ecologies: Emerging Platforms, Practices and Discourses by

Nationalist African Cinema: Legacy and Transformations by Niang, Sada

Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To? by Roche, David

Latino Los Angeles in Film and Fiction: The Cultural Production of Social Anxiety by López-Calvo, Ignacio

Religion in Contemporary European Cinema: The Postsecular Constellation by

Guiltless Pleasures: A David Sterritt Film Reader by Sterritt, David

Frankenstein by Horton, Robert

The Movie Imperative by Jones, Martin

Masculinity and Irish Popular Culture: Tiger's Tales by Holohan, Conn, Tracy, Tony

The Encyclopedia of British Film: Fourth Edition by

Swedish Crime Fiction: Novel, Film, Television by Peacock, Steven

Augmented Reality: Hype oder zukunftsweisende Technik? by Preuß, Simon

The Encyclopedia of British Film by

Reel Change: The Changing Nature of Hollywood, Hollywood Movies, and the People Who Go to See Them by Mesce, Bill, Jr.

The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters by Depaoli, Maria Teresa

Doc Holliday in Film and Literature by Linder, Shirley Ayn

Talk's Cheap, Action's Expensive - The Films of Robert L. Lippert (hardback) by McGee, Mark Thomas

Talk's Cheap, Action's Expensive - The Films of Robert L. Lippert by McGee, Mark Thomas

The Western Town: A Theory of Aggregation by

Subjective Realist Cinema: From Expressionism to Inception by Campora, Matthew

The Demons of Modernity: Ingmar Bergman and European Cinema by Orr, John

Islands of Empire: Pop Culture and U.S. Power by Fojas, Camilla

Create Your Own TV Series for the Internet by Brown, Ross

Polish Film and the Holocaust: Politics and Memory by Haltof, Marek

Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais's Night and Fog by

Kristeva in Focus: From Theory to Film Analysis by Goodnow, Katherine J.

New Austrian Film by

1939: The Making of Six Great Films from Hollywood's Greatest Year by Adams, Charles F.

Existentialism and Contemporary Cinema: A Sartrean Perspective by

The Grand Budapest Hotel by Anderson, Wes

French Animation History-NiP by Neupert, Richard

Fred Zinnemann and the Cinema of Resistance by Smyth, J. E.

Recycelte Bilder. Die Verweisstruktur im Videoclip am Beispiel von Fritz Langs Metropolis by Wagener, Kim

Bin Ich ein Anderer? Die Krise der männlichen Identität in "Fight Club" und "Shutter Island" by Müller, Sarah

Grindhouse Purgatory - Issue #3 by

Media Depictions of Brides, Wives, and Mothers by

Sampling Media by

Untersuchung der Zuschauermotivation neuer Formate des Reality-TV: Am Beispiel von Big Brother by Czech, Lucy

Cold War Rivalry and the Perception of the American West by Goral, P.

Spectacular Digital Effects: CGI and Contemporary Cinema by Whissel, Kristen

Sound, Speech, Music in Soviet and Post-Soviet Cinema by

Spectacular Digital Effects: CGI and Contemporary Cinema by Whissel, Kristen

Nothing can stay hidden forever. Die Heldenreise in David Lynch's LOST HIGHWAY by Braun, Annegret

History and Film by Sullivan, Shane Ian

Screenwriting in a Digital Era by Millard, Kathryn

Location Filming in Arizona: The Screen Legacy of the Grand Canyon State by Debarbieri, Lili

Myth of the Western: New Perspectives on Hollywood's Frontier Narrative by Carter, Matthew

American Postfeminist Cinema: Women, Romance and Contemporary Culture by Schreiber, Michele

The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century by

I Do and I Don't: A History of Marriage in the Movies by Basinger, Jeanine

Lost Facts of Hollywood: A Report Series by Frank Billecci: Part 1- 'irene' From a Big Sky girl to a Hollywood Designer by Billecci, Frank

The Highway Horror Film by Murphy, Bernice M.

Filming Forster: The Challenges of Adapting E. M. Forster's Novels for the Screen by Ingersoll, Earl G.

Film Sound in Italy: Listening to the Screen by Sisto, A.

Zwischen Tabubruch und Zensur: Gesetzliche, religiöse und gesellschaftliche Zensurmaßnahmen in der Zeichentrickserie South Park by Presslaber, Reinhard

Millennials on Film and Television: Essays on the Politics of Popular Culture by

Documentary as Exorcism by Beckford, Robert

Hitchcock and Adaptation: On the Page and Screen by

Steven Spielberg and Duel: The Making of a Film Career by Awalt, Steven

A Critical History of History in Moving Pictures by Dunbar Ph. D., John N.

The Heist Film: Stealing with Style by Lee, Daryl

A Critical History of History in Moving Pictures by Dunbar Ph. D., John N.

Filmmakers in The Moving Picture World: An Index of Articles, 1907-1927 by

The Reel Cowboy: Essays on the Myth in Movies and Literature by Rainey, Buck

The Black Body in Ecstasy by Nash, Jennifer C.

The Black Body in Ecstasy: Reading Race, Reading Pornography by Nash, Jennifer C.

Wicked Cinema: Sex and Religion on Screen by Cutrara, Daniel S.

London's West End Cinemas by Eyles, Allen, Skone, Keith

Did You Notice?: The Wristwatch, Upside Down Gun, Power Pole and Tire Tracks in Western Film Stills by Creacy, Don

Critical Approaches to African Cinema Discourse by

Zwischen Kommunismus und Kommerz - Entwicklungen, Tendenzen und Perspektiven der russischen Filmindustrie by Luft, Eduard

Hounds of Zaroff: The Most Dangerous Game as a Persistent Muse to the Movies by Turner, George E., Price, Michael H.

Analyse einer Szene aus dem Film "A Serious Man" unter besonderer Berücksichtigung ihres komischen Potentials by Livshitz, Natalia

Spanish Horror Film by Lázaro-Reboll, Antonio

Romanian New Wave Cinema: An Introduction by Pop, Doru

Companion to Alfred Hitchcock by

Spanish Queer Cinema by Perriam, Chris

French Queer Cinema by Rees-Roberts, Nick

New Taiwanese Cinema in Focus: Moving Within and Beyond the Frame by Wilson, Flannery

Hong Kong Documentary Film by Ingham, Michael, Aitken, Ian

Polish Cinema in a Transnational Context by

The Sports Film: Games People Play by Babington, Bruce

The New Soundtrack: Volume 4, Issue 1 by

Narratives of Gendered Dissent in South Asian Cinemas by Kurian, Alka

Die Körperlichkeit des Kinos von Gaspar Noé by Kücükince, Timur