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Writing Beijing: Urban Spaces and Cultural Imaginations in Contemporary Chinese Literature and Films
Paperback
Literary CriticismFiction AnthologiesGeneral Sociology
ISBN13: 9781498531030
Publisher: Lexington Books
Published: Sep 11 2017
Pages: 150
Weight: 0.56
Height: 0.39 Width: 6.00 Depth: 9.00
Language: English
One of the oldest cities in the world, Beijing was an imperial capital for centuries. After the founding of the People's Republic of China in 1949, Beijing became not only the political center of the new communist country, but also the signifier of socialist ideol-ogy and revolutionary culture. Now, in the 21st century, Beijing embodies global conflicts and global connections. Over the course of the last century, then, Beijing moved from the quintessential traditional capital to the symbol of communist urban form and finally to a cosmopolitan metropolis. These three stages in the history of Beijing and its shifting representations are the topic of this study.
Inspired by Henri Lefebvre, this study establishes a framework that connects urban spaces (representations of space) to writers and literary productions (representational space). I analyze the three major urban spatial forms of traditional, communist, and glob-alized Beijing and examine what these urban spaces mean to Chinese writers and filmmakers as well as how they use them to configure particular images of Beijing. I argue that these different configurations are actually the projections of those writers and filmmakers' own cultural imaginations; they provoke a form of emotional catharsis and also produce alternative visions of the cityscape.
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