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What The Body Remembers: For The Women who Carried Songs Across Borders They Did Not Choose To Cross, and For The Granddaughters Who Did Not Know They
Paperback
Series: The Loire Valley, Book 2
RomanceScience FictionGeneral Fiction
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Publisher: K. Draven Smith
Published: May 10 2026
Pages: 434
Weight: 1.10
Height: 0.97 Width: 5.50 Depth: 8.50
Language: English
Vivienne Marchetti thought she was done with secrets.
She was wrong.
Six months after the brain surgery that gave her life back, Vivienne has found something close to peace her ceramics studio in the Loire Valley, Mathilde's kitchen counter, a quieter version of herself she is still learning to trust. The worst, she believes, is behind her.
Then a letter arrives from Romania. Inside: a photograph of a woman she has never seen but who has her eyes, her jaw, and her hands. And on the back, two words written in careful script: We remember.
Who is she?
Vivienne begins to dig through family archives, through documents buried since the Second World War, through the history of a patch of land in the south field that was never properly accounted for. Every answer opens another question. Every thread pulls her deeper into a web of connections she never expected: a cousin in Eastern Europe, a midwife who survived the Banat occupation, a child born in secret who disappeared in 1944.
And a silver cup engraved Ghislaine 1887 that appears to have sat on several tables in several countries before it came to rest on Mathilde's kitchen shelf.
But it isn't only history that comes looking for Vivienne.
Victor Bauer comes too.
He is sixty years old and quietly certain, and he believes his family lost something in the Loire Valley during the war. He wants it returned. He believes he has a right to it. And he is not prepared to take silence for an answer.
As Vivienne learns what her body has remembered all along, how information travels through hands, through clay, through photographs kept in envelopes for decades, she begins to understand that nothing in this family happened by accident. Every arrangement was deliberate. Every disappearance was chosen. Every silence was protecting something.
And Mathilde, who has been here for everyone, Mathilde, who is never surprised, either knows more than she has said.
Or she has never known what she has been keeping.
At the bottom of the archive, there is a document that should not exist. A woman's name. A date. And a single line written in German, a language Vivienne does not speak, that translates to one word that changes everything:
Betrayed.
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