Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Umoya Wembongi: Collected Poems (1922-1935)

Umoya Wembongi: Collected Poems (1922-1935)

Opland, Jeff
Opland, Jeff
Mtuze, Peter T.

Hardcover

Series: Publications of the Opland Collection of Xhosa Literature, Book 3

General Poetry

ISBN10: 1847014461
ISBN13: 9781847014467
Publisher: James Currey
Published: Dec 9 2025
Pages: 436
Weight: 1.63
Height: 0.94 Width: 5.91 Depth: 9.06
Language: English
All 65 of John Solilo's poems from Izala, now out of print, with an additional 28 first published in newspapers, in isiXhosa and English translation, with a comprehensive introduction

John Solilo (1864-1940) was a prolific contributor to Xhosa-language newspapers. He submitted letters and articles on a variety of issues, local news reports from Cradock and Uitenhage, and a considerable body of poetry. His major literary contribution was his collection of poems entitled Izala (A Rubbish Dump), published in 1925, the earliest volume of poetry by a single author in the history of Xhosa literature.

Solilo's literary reputation today, however, is at variance with his prominence as a major author in the first four decades of the twentieth century: he is hardly mentioned, if at all, by literary historians, Izala has long been out of print, and copies can no longer be located. In restoring to the public domain the 65 poems that made up Izala and adding an additional 28 that were published in newspapers both before and after the appearance of Izala, the editors hope to revive John Solilo's reputation as a poet, and to establish his status as a pre-eminent Xhosa author.

In his poetry, Solilo urged passivity and opposed political revolt, but he could also be scathing in his denunciation of black indignities suffered under white control, inspired as he was by umoya wembongi, the spirit of the imbongi, the praise poet whose stirring declamations roused his audiences to action or contemplation.

University of KwaZulu-Natal Press: Southern African Development Community

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