Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Theory And Practice Of Musical Composition (1860)

Theory And Practice Of Musical Composition (1860)

Marx, Adolf Bernhard
Saroni, Herrman S.
Girac, Emilius

Paperback

Fiction AnthologiesGeneral MusicMusic Instruction: General

ISBN10: 1165699486
ISBN13: 9781165699483
Publisher: Kessinger Publishing
Published: Sep 10 2010
Pages: 580
Weight: 1.69
Height: 1.17 Width: 6.00 Depth: 9.00
Language: English
The Theory and Practice of Musical Composition, written by Adolf Bernhard Marx and first published in 1860, is a comprehensive guide to the art of composing music. Marx, a German composer and music theorist, covers a wide range of topics in this book, including the elements of music, harmony, counterpoint, form, and style.The book is divided into two parts. The first part, which is theoretical in nature, covers the basics of music theory, such as notation, scales, intervals, chords, and cadences. Marx also discusses the principles of harmony and counterpoint, explaining how to create pleasing and effective musical combinations.The second part of the book is more practical, focusing on the techniques and strategies used in musical composition. Marx provides detailed examples of different musical forms, including sonatas, symphonies, and operas, and explains how to structure and develop musical ideas.Throughout the book, Marx emphasizes the importance of studying the works of great composers and analyzing their techniques. He also discusses the role of the composer in society, and the importance of music as an art form.Overall, The Theory and Practice of Musical Composition is a valuable resource for anyone interested in the art of composing music. With its clear explanations, practical examples, and historical perspective, it remains a classic text in the field of music theory and composition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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