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The Clear Line in Comics and Cinema: A Transmedial Approach
Paperback
Series: Studies in European Comics and Graphic Novels, Book 10
ISBN13: 9789462703209
Publisher: Leuven Univ Pr
Published: Jul 15 2022
Pages: 270
Weight: 1.35
Height: 0.71 Width: 6.69 Depth: 8.98
Language: English
Historical and theoretical analysis of the clear line style in comics and cinema
The clear line, a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion's words, it is a style made out of light, fluidity and limpid clarity.
By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st centuries, especially focused on the context of the European bande dessinée. In addition, it pioneeringly expands the concept of clear line to other artistic domains by introducing and defending its transmedial use, which is particularly relevant for the understanding of the oeuvres of certain filmmakers of the 20th century working in the postwar period, such as Yasujirô Ozu in Japan, Jacques Tati in France and Frank Tashlin in the United States. The Clear Line in Comics and Cinema is therefore a key theoretical work for both bande dessinée enthusiasts and comics scholars, as well as a fundamental contribution to present-day film studies and transmedial narratology.
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