Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Tales of Terror: The Supernatural Poem Since 1800, Volume 2

Tales of Terror: The Supernatural Poem Since 1800, Volume 2

Rutherford, Brett

Paperback

Series: Tales of Terror, Book 2

General Poetry

ISBN10: 0922558841
ISBN13: 9780922558841
Publisher: Lightning Source Inc
Published: Apr 11 2016
Pages: 352
Weight: 1.14
Height: 0.79 Width: 5.98 Depth: 9.02
Language: English
This annotated edition of 176 supernatural-themed poems is the second part of a modern sequel to Matthew Gregory Lewis's famous 1801 poetry anthology, Tales of Wonder. As might be expected, several of the best-known horror writers who were also poets are here, including H.P. Lovecraft, Clark Ashton Smith, and Frank Belknap Long. But surprises abound as ghosts, goblins, fairies, monsters, and cosmic doom escape the pens of poets from the United States, Britain, Ireland, Australia, Switzerland, and Germany. Treasures to be found in this volume include the lore of The Flying Dutchman, arctic werewolves, an octopus-woman, a rampaging Sphinx, malevolent fairies, house ghosts, a painting fatal to look upon, Santa Claus's evil cousin, the Phantom of the Opera, mad scientist Nikola Tesla, women scorned with revenge in mind - plus the inevitable sea serpents, Gorgons, vampires, and the hungry slime mold that ate Providence, Rhode Island. This volume samples the best supernatural-themed poems from the 1890s to about 1930, and then leaps forward to offer over a hundred pages of Gothic works by contemporary poets working in a variety of styles. For the poetry lover, and for the fan of supernatural literature, this book is a year-round Halloween treat of entertaining and alarming poems to read aloud - bedtime stories for very bad children. For the scholar of the Gothic, it presents an intriguing array of poems that range from overtly entertaining Gothic narratives, to works that employ the devices of the Gothic for other ends, social, political, or personal. The book also includes a cumulative bibliography of source materials on the supernatural and Gothic in poetry.

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