• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Stage, Stake, and Scaffold: Humans and Animals in Shakespeare's Theatre

Stage, Stake, and Scaffold: Humans and Animals in Shakespeare's Theatre

Hardcover

Literary CriticismBritish History

ISBN10: 0199567646
ISBN13: 9780199567645
Publisher: Oxford University Press
Published: Jun 4 2011
Pages: 336
Weight: 1.45
Height: 1.00 Width: 6.20 Depth: 9.20
Language: English
The powerful exchanges between stage, stake, and scaffold - the theatre, the bear garden and the spectacle of public execution - crucially informed Shakespeare's explorations into the construction and workings of 'the human'. The theatre's family resemblance to animal baiting and the spectacle of punishment, its sharing of the same basic type of performance space - a theatre-in-the-round, a scaffold, stake or platform surrounded by spectators - bred an ever-ready potential for a transfer of images and meanings. The staging of one of these kinds of performance is always framed by an awareness of the other two, whose presence is never quite erased and often, indeed, emphatically foregrounded. Situating Shakespearean drama within its material environment, Andreas Hofele explores how this spill-over affects the way Shakespeare models his human characters and his understanding of 'human character' in general. His dramatis personae are infused with a degree of animality that a later, more specifically Cartesian, anthropology would categorically efface. Readings based on such an anthropology tend to reduce Shakespeare's teeming multitude of animal references to a stable marker of moral, social, and ontological difference, 'beast' being everything 'man' is not or ought not to be. In contrast, Hofele argues that Shakespearean notions of humanity rely just as much on inclusion as on exclusion of the animal. Humans and animals face each other across the species divide, but the divide proves highly permeable.

Also in

Literary Criticism