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Masters Series de Cuba: Piano
Paperback
Series: Masters Series de Cuba, Book 2
Music Instruction: PianoWorld Music
ISBN13: 9780985754983
Publisher: Mayuli Press
Published: Mar 28 2014
Pages: 52
Weight: 0.32
Height: 0.11 Width: 8.50 Depth: 11.00
Language: Spanish
Emilio Morales es uno de los pianistas más completos de Cuba - músico de estudio, arreglista y compositor con décadas de experiencia en los estilos que definen la música popular cubana. Junto al musicólogo Jon Griffin, Morales comparte ese conocimiento de forma directa y práctica, trabajando cada estilo desde adentro.
Este no es un método de ejercicios. Cada capÃtulo aborda un estilo real de la música cubana - su estructura, su feeling, y cómo trasladarlo al piano. Desde el danzón del siglo XIX hasta la timba contemporánea, el libro cubre la historia viva del piano cubano con ejemplos tomados directamente del repertorio.
Ideal para pianistas con conocimientos básicos que quieren entender y tocar música cubana con autenticidad - ya sea para actuar, grabar, o simplemente para entender mejor esta música por dentro.
Lo que cubre el libro:
- Entender el Montuno - la base rÃtmica y armónica de gran parte de la música cubana
- Son Montuno - el estilo que dio origen a la salsa tal como la conocemos
- Variaciones de Montuno - cómo desarrollar y expandir el montuno en distintos contextos
- Cha-cha-chá - el estilo que conquistó el mundo en los años 50
- Danzón - la forma musical más antigua y elegante de Cuba
- Forma de Danzón - estructura y desarrollo de esta forma única
- Bolero - el estilo más Ãntimo y expresivo del piano cubano
- Mambo - energÃa, contrapunto y la orquesta en tus manos
- Tocar el Bajo - cómo el pianista cubano maneja la lÃnea de bajo
- Timba - la música cubana más exigente y contemporánea
- Changüà - el antepasado más cercano al son original de Oriente
- Son Moderno - el son cubano en su forma actual
Parte de la serie Masters Series de Cuba, diseñada para llevar el conocimiento de los músicos cubanos directamente al estudiante, sin intermediarios.
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