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Los indios cantores del Paraguay: Prácticas musicales y dinámicas de movilidad en Asunción colonial (siglos XVI-XVIII)
Paperback
Series: Paradigma Indicial
ISBN13: 9789878384092
Publisher: Cute
Published: Nov 4 2020
Pages: 306
Weight: 0.99
Height: 0.69 Width: 6.00 Depth: 9.00
Language: Spanish
Este libro se centra en la configuración de las prácticas musicales en la ciudad de Asunción del Paraguay durante el perÃodo colonial. Los indÃgenas músicos de los pueblos de indios aledaños -los indios cantores-, cobraron protagonismo en la actividad musical urbana al ser trasladados desde la reducciones jesuÃticas y pueblos de indios a cargo de curas seculares y franciscanos hasta Asunción para fiestas y celebraciones, propiciando la circulación de bienes, saberes y prácticas. Los esclavos afrodescendientes participaron, por su parte, en las prácticas musicales cotidianas de instituciones como el Colegio de la CompañÃa de Jesús. Sin los indios cantores, y sin las prácticas de movilidad que los situaban en uno y otro contexto, el modelo urbano institucional-musical no hubiese sido posible de mantener en este distante rincón del imperio.
Los indios cantores del Paraguay es la primera historia social de la música en el Paraguay colonial. Antes que un paÃs o una nación en el sentido moderno, debe entenderse al Paraguay como región compleja y singular. AllÃ, la música fue una práctica incrustada en la vida social y económica. No fue un campo autónomo, sino que se integró a un denso tejido de prácticas que respondÃan menos a una funcionalidad estética que a demandas concretas del oficio religioso o las celebraciones civiles. A través del seguimiento de la trayectoria de los músicos y los instrumentos musicales, y la reconstrucción de los espacios de práctica musical, nos invita a indagar en las complejidades de la historia urbana y rural, en la historia del trabajo indÃgena y africano y la configuración territorial de la región.
Laura Fahrenkrog Cianelli es Doctora en Historia por la Pontificia Universidad Católica de Chile y Máster en Música Hispana por la Universidad de Salamanca. Privilegiando un enfoque interdisciplinar, su trabajo abarca las prácticas musicales durante la colonia en Hispanoamérica en relación con problemas relativos a aspectos sociales y culturales como las movilidades y circulaciones de personas, bienes y saberes, las formas laborales y las categorÃas coloniales, cuestiones revisadas a la luz de un minucioso trabajo con fuentes primarias. Se desempeña como profesora investigadora del Departamento de Historia y Ciencias Sociales de la Universidad Adolfo Ibáñez en Santiago de Chile. El texto que dio origen a este libro obtuvo el Premio Miguel Cruchaga Tocornal (2018) de la Academia Chilena de la Historia.
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