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Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene

South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene

Paperback

Series: Music in American Life

Black American HistoryClassical MusicGeneral World History

Publisher Price: $24.95

ISBN10: 0252088336
ISBN13: 9780252088339
Publisher: University of Illinois Press
Published: Nov 12 2024
Pages: 296
Weight: 0.79
Height: 0.90 Width: 5.90 Depth: 8.90
Language: English
Between the world wars, Chicago Race women nurtured a local yet widely resonant Black classical music community entwined with Black civic life. Samantha Ege tells the stories of the Black women whose acumen and energy transformed Chicago's South Side into a wellspring of music making.

Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene's audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created.

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General World History