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The Shakespeare Canon: Part IV Division I
Paperback
ISBN13: 9781025982427
Publisher: Tradd Street Press
Published: Feb 14 2026
Pages: 162
Weight: 0.52
Height: 0.35 Width: 6.14 Depth: 9.21
Language: English
The Shakespeare Canon: Part IV Division I is a meticulous work of literary scholarship and attribution studies by the renowned critic J. M. Robertson. In this volume, Robertson continues his exhaustive investigation into the Elizabethan theatrical landscape, applying rigorous stylistic and linguistic analysis to determine the true authorship behind the plays traditionally attributed to William Shakespeare.
The work stands as a cornerstone of the disintegrationist school of criticism, challenging established notions of the Shakespearean canon through a detailed examination of vocabulary, phrasing, and metrical patterns. Robertson's scholarly approach seeks to untangle the collaborative nature of early modern drama, identifying the potential hands of contemporaries such as Christopher Marlowe, George Peele, and Robert Greene.
This installment is essential for scholars of English literature, drama enthusiasts, and anyone interested in the complex history of authorship and the evolution of the Elizabethan stage. By dissecting the structural and artistic nuances of specific plays, Robertson offers a compelling look at the professional world of 16th-century playwrights and the enduring mystery of the Great Bard's creative output.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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