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Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Science and the Romantic Vision in Early Nineteenth-Century Opera

Science and the Romantic Vision in Early Nineteenth-Century Opera

Hardcover

Sports GeneralOperaMusic Reference

ISBN10: 1837652333
ISBN13: 9781837652334
Publisher: Boydell Press
Published: Jan 6 2026
Pages: 216
Weight: 1.06
Height: 0.56 Width: 6.14 Depth: 9.21
Language: English
An interdisciplinary study of how early nineteenth-century science and opera articulated a transnational romantic vision of harmony between self and nature, and how this ideal gave way to mid-century realism and social conflict.

The end of the Napoleonic era ushered in a transnational outlook for Europe, where the traditional boundaries that separated people, ideas and things were blurred in favour of a unified and cosmopolitan vision for society. The result of this shift created a 'romantic vision', a new way to perceive the imagined potential of the self in correspondence with the infinite reality of the natural world. Early nineteenth-century scientists such as Alexander von Humboldt (earth sciences), Franz Anton Mesmer (mesmerism), Johann Wilhelm Ritter (galvanism) and Frédéric Dubois d'Amiens (hysteria) are explored in this context to see how the romantic vision was reflected in their work and received by society. Seeing opera as a confluence of all the arts and encompassing a similar romantic vision, this book examines three paradigmatic operas that contend with the forces of nature: Weber's Der Freischütz (1821), Meyerbeer's Robert le diable (1831) and Donizetti's Lucia di Lammermoor (1835). In these three highly successful works from separate operatic traditions, the unseen, inner world of nature reveals a wholeness of the self with the divine, showcasing a healthy optimism for society.

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