Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Radenko Milak. Post-Millennium Tension

Radenko Milak. Post-Millennium Tension

Kitttelmann, Udo
Dax, Max
Milak, Radenko

Hardcover

Drawing InstructionGeneral Art

Currently unavailable to order

ISBN10: 3864424704
ISBN13: 9783864424700
Publisher: Snoeck Publishing Company
Published: May 1 2026
Pages: 304
Weight: 4.36
Height: 1.41 Width: 9.71 Depth: 11.21
Language: English
When we first see one of Radenko Milak's (*1980, Travnik near Banja Luka) watercolors, we feel we recognize it, as there is always a before and after, like in a film loop - a unique quality of his work, writes Udo Kittelmann in his essay. Standing before a Milak painting, we believe we are seeing a fragment of something larger, a glimpse of the world or the universe, much like a photograph is always a snapshot of a theoretically endless image. Moreover, almost every motif he chooses draws from images we already know, stored in our memory. His work explores multiple themes: the shift from photography to watercolor, the interplay between original and reproduction, the choice of subjects, and how his images resonate with our subconscious and collective unconscious - since memory is shaped not only by language but primarily by images. His mastery of the medium creates the illusion of viewing photographs, while simultaneously making us witnesses to a media transformation: the original photo becomes a watercolor, which the human eye first perceives as a photograph and then as a painting. This duality compels us to step closer, eager to participate in the artwork - to observe the brushstrokes, gestures, and craftsmanship. Over the years, Milak has developed diverse series: cityscapes and architecture, futuristic technologies, feminism, pivotal moments in music history, surveillance and big data, loneliness, isolation during the COVID-19 pandemic, and film stills - all rendered in asymmetrically evolving watercolor series over two decades. His consistent use of black ink on white paper lends his works a timeless quality.

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