Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Queering the Moderns: Poses/Portraits/Performances

Queering the Moderns: Poses/Portraits/Performances

Na, Na

Hardcover

Gifts & Stationery GeneralLiterary CriticismGeneral Science

ISBN10: 0312233272
ISBN13: 9780312233273
Publisher: Palgrave MacMillan
Published: Jan 1 2000
Pages: 197
Weight: 0.77
Height: 0.79 Width: 5.82 Depth: 8.56
Language: English
In Queering the Moderns, Anne Herrmann revisits the narrative of literary modernism and the historical uses of the term queer to explore the emergence of identities specific to modernism. Queer in the modernist period (1910-1945) means strange, odd, out of sorts and although it begins to refer to those who are queer sexually, it does not yet police a hetero-homosexual divide. It means crossing boundaries in unexpected directions, across the Atlantic, across the color line, across literary conventions that dictate autobiographies can't be written by someone else. Six memoirs that rely on cross-gender and cross-racial identifications are discussed within their specific cultural contexts so that female aviators (Amelia Earhart and Beryl Markham), lesbian auto/biographers (Virginia Woolf and Gertrude Stein) and male auto-ethnographers (James Weldon Johnson and Earl Lind - Ralph Werther) begin to queer the traditional spaces of modernism.

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