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Pop & Postfeminism: Female Dandyism in Popular Music

Pop & Postfeminism: Female Dandyism in Popular Music

Paperback

Series: Library of Gender and Popular Culture

General SociologyArt & Popular CultureMusic Reference

ISBN10: 1350515892
ISBN13: 9781350515895
Publisher: Bloomsbury Academic
Published: Jun 25 2026
Pages: 232
Weight: 0.60
Height: 0.49 Width: 5.50 Depth: 8.50
Language: English

In Pop & Postfeminism, Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and disrupts postfeminist notions of femininity, including maintaining a physique conforming to contemporary beauty standards, constant self-surveillance and self-improvement, and the naturalisation of gender difference and heterosexuality.

Weidhase examines how music videos function as spaces in popular culture where the politics of the feminine can be articulated. These spaces allow female pop stars to be valued as artists with distinct contributions to popular music. Focusing on Amy Winehouse, Rihanna, Lady Gaga, and Lana Del Rey, she illuminates different characteristics of the postfeminist dandy in popular music. Amy Winehouse's work makes visible the commodification of the female spectacle in popular culture, highlighting how her image and persona were marketed and consumed. Rihanna performs black femininity as postfeminism's abject Other. Lady Gaga queers monstrous motherhood and celebrates female musical lineage. Lana Del Rey's work demonstrates how whiteness operates as a canvas for postfeminist and post-racial fantasies, offering a platform for their deconstruction and critique.

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Art & Popular Culture