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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre

Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre

Sandy, Mark

Hardcover

Series: Nineteenth Century

Literary CriticismGeneral Poetry

ISBN10: 0754635791
ISBN13: 9780754635796
Publisher: Routledge
Published: Mar 7 2005
Pages: 160
Weight: 0.89
Height: 0.44 Width: 6.14 Depth: 9.21
Language: English
In focusing on the poetic treatment of self and literary form in Keats and Shelley, Mark Sandy shows how using Nietzsche's philosophy to illuminate Keats's correspondence and Shelley's A Defence of Poetry provides a conceptual basis for a comparative reading of the poets. Using key ideas from Nietzsche, Sandy explores Keats's Endymion and Shelley's Alastor as redefinitions of the romance genre. Further, he suggests that in their redescription of romance, Keats and Shelley discovered a radical mode of subjectivity that is present in Keats's major odes and Shelley's lyrical poetry as a conflict among poetic identity, art, and existence. In Sandy's reading, Shelley's Adonais and Keats's The Eve of St Mark emerge as diverse meditations on crises of posthumous reputation and future audience, whereas Keats's Hyperion fragments and Shelley's The Triumph of Life resolve these anxieties over authorial posterity by entrusting the reader with a new form of poetical self.

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