Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Personality in Literature

Personality in Literature

Scott-James, R. a. (Rolfe Arnold)

Paperback

Literary CriticismPoetry Criticism

ISBN13: 9798182729581
Publisher: Mariebooks
Published: Sep 2 2026
Pages: 172
Weight: 0.52
Height: 0.37 Width: 6.00 Depth: 9.00
Language: English

P ersonality in Literature by R. A. Scott-James is a critical examination of the role of personality in literary creation and appreciation, written in the early 20th century. The work explores the intersection of literature and art, the influence of modern life on literary creation, and the relationship between literature and individual personalities, particularly focusing on how personal experiences shape artistic expression. The book addresses significant literary figures and movements through a philosophical lens, presenting a nuanced understanding of literary aesthetics. The opening of the work sets the stage for a thorough discourse on aesthetic judgments, drawing the reader into a discussion on the concept of beauty in art and literature. Scott-James reflects on a personal experience at a Post-Impressionist art exhibition, illustrating the subjective nature of beauty and examining the various perspectives on what constitutes artistic merit. He critiques contemporary attitudes that dismiss beauty as an outdated concept while advocating for an appreciation of art as an end in itself, separate from utilitarian or ethical considerations. The text invites readers to explore these themes further, building a foundation for subsequent discussions on how personal ideals and societal trends influence the creation and evolution of literature.THE DEGRADATION OF BEAUTY Some time ago I found myself at an exhibition of Post-Impressionist pictures, under the gis of an artist who was himself of that persuasion. Indeed, he was one of the exhibitors, and I was constrained to express my opinions in the form of questions. We passed before a picture which to my untutored eyes was formless, meaningless and ugly. It was by a well-known artist, and my instructor admired it. He said it was the head of a woman, and he indicated certain hook-like marks in the painting which to him distinctly suggested the nose, the mouth and the neck of a woman, reduced to their simplest terms. After he had fully explained the picture, I asked him if the result was in any sense beautiful to him. Beautiful! he exclaimed, with something of disdain in his voice. Why should it be beautiful? I do not require that a picture should be beautiful.

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