Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Passing in the Works of Charles W. Chesnutt

Passing in the Works of Charles W. Chesnutt

Wright, Susan Prothro
Glass, Ernestine Pickens

Paperback

Series: Margaret Walker Alexander African American Studies

Letters & EssaysLiterary CriticismBlack American Studies

ISBN10: 1617033243
ISBN13: 9781617033247
Publisher: University Press of Mississippi
Published: Apr 24 2012
Pages: 160
Weight: 0.50
Height: 0.34 Width: 6.00 Depth: 9.00
Language: English
An exploration of a great American writer's abiding concern with the color line Essays by Margaret D. Bauer, Keith Byerman, Martha J. Cutter, SallyAnn H. Ferguson, Donald B. Gibson, Scott Thomas Gibson, Aaron Ritzenberg, Werner Sollors, and Susan Prothro Wright Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the passing theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories--including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks--to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that passing is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage with each other to display the continuum in Chesnutt's thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt's works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt's ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection's essays address Chesnutt's novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn's Husband. The volume opens up new paths of inquiry into a major African American writer's oeuvre.

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